Session 66 Transcription

Date: Tuesday, September 9, 2025 Duration: 3h 36m 20s Processed: Sunday, September 14, 2025

Audio Quality: 🔴 Poor

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Processing Notes

• 338 segments with unidentified speakers
• 338 low-confidence segments requiring review

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Transcription

0m - 15m

[00:00] And he communicates to her in their time. When she speaks, it’s a rust. It’s almost reading the lips, the person, rather than hearing the words. But he kind of does very sort of honorably kind of like in a way to honor her, kind of bends down and as closely as he can kind of watches her response.

[00:28] As he stands back on small pieces, she shall now be 48 years old.

[00:44] Is she kind of small? He asks her. If he returns to you, she doesn’t have the means to be honored.

[01:13] Oh, Mr. Mouth, this one’s just for you. Is this situation still getting worse for them?

[01:23] They will continue to fade away. It is the price. This is what Ryzen brought about with his deal. It was to trade our bodies for our might.

[01:43] Did the people agree? I’d like to know if Shalar agreed.

[01:57] Shalar asks Shalar and says, Shalar says that it has been the price of safety and of her peace.

[02:11] Can I do an insert check to see if he’s giving me correct information?

[02:14] I don’t know.

[02:24] Yeah.

[02:33] Yeah.

[02:34] Question for Thrall. Can you keep a telepathic bond with any of us at this point?

[02:42] Yeah, absolutely. I hadn’t said one up there.

[02:47] I can’t start one there.

[02:50] I also just realized you can’t hear Shalar, so I wouldn’t be able to translate for you anyway.

[03:00] This role is of course charisma, right?

[03:04] Yes.

[03:08] It will in fact be wisdom, unfortunately.

[03:12] With a six and a five and that being advantage, I’ll go with five.

[03:16] Thank you.

[03:17] You’re closer than you might have thought, but it is difficult to say there is.

[03:27] Well, that’s a one. So we’re done.

[03:29] Wow.

[03:29] We’re only going down, but now we’re reset back to the top.

[03:33] Next should be a 2017.

[03:34] Yeah.

[03:37] There is an amount between hearing what Shalar says and responding.

[03:46] Where the translator stops and thinks, and it’s unclear whether that is piecing together things that he hasn’t heard.

[03:59] Translating an older version of the ref language to a to modern common or coming up with answer design.

[04:11] Not it.

[04:14] Mr. Mouth, do you agree with the decision?

[04:20] I am the voice of rising.

[04:23] Of course, it was the only way to keep my children safe.

[04:29] From what?

[04:32] From the other kingdoms.

[04:35] We have chosen to remove ourselves from the struggle of power.

[04:40] Is it reversible if you wanted to?

[04:47] It was a pact with Alconz.

[04:53] And thus would only be changeable.

[04:56] Should the gods decide?

[05:00] If you knew that the rest of the world would be your friends, which you wish to have a brother.

[05:10] If I were to rule the military, the gods would see fit that this would be changed.

[05:25] This is the word of the next.

[05:32] So, if the ruler of Ruth rules Miltor, the gods will reject this.

[05:39] If Miltor is united.

[05:44] I’m going to turn back to Shalar.

[05:47] Shalar.

[05:49] That didn’t matter anything for me, but it’s very enough.

[05:52] Thank you.

[05:54] The emphasis is on the final.

[05:56] Shalar.

[05:59] Thank you.

[06:00] Hello.

[06:02] SHALL.

[06:04] What?

[06:06] SHALL.

[06:07] Almost.

[06:08] You need a name before this.

[06:10] SHALL.

[06:13] SHALL.

[06:15] Hello.

[06:18] Hello.

[06:20] Hello.

[06:20] Hello.

[06:21] Hello.

[06:22] Hello.

[06:22]

[06:22] So Noah Posterfi.

[06:23] I put one after the S in the H.

[06:27] No, just an exclamation mark.

[06:35] Was really clever.

[06:41] And so, turning back to Shalar.

[06:45] I’m going to ask, do you like your gods?

[06:50] Well, as it asks.

[06:53] And you see that this question animates Scholar a little bit more than the others.

[07:00] You see kind of the remnants of muscles now attached to nothing, kind of cloring into the

[07:08] air to kind of turn the head as she attempts to speak, translated back to the voice.

[07:18] He says, Shala says that the gods are.

[07:27] It is no matter for love or hate.

[07:34] You could no more hate the sun or the wind.

[07:46] Why are the wreath gods separate from the rest?

[07:56] That’s a quick question.

[07:59] Are you asking?

[08:00] Oh, this is math on this one.

[08:01] Yeah.

[08:02] The voice, that’s probably about.

[08:03] I’m sorry.

[08:03] Let’s try.

[08:04] Um, he says.

[08:09] They’re not.

[08:11] For all of the gods.

[08:15] All of the gods are one.

[08:17] These are not.

[08:20] We do not have different gods.

[08:23] We worship them.

[08:24] We worship the gods in a different form.

[08:29] The gods that.

[08:30] The gods that you know from will tool.

[08:34] I really know what but gone.

[08:37] The gods that rule built.

[08:40] The gods that rule.

[08:43] Zeta rift.

[08:44] The gods that rule.

[08:48] The serename.

[08:50] They are one.

[08:54] We know them by different names.

[08:56] See them in different forms.

[08:59] And create them in different ways.

[09:01] Thank you.

[09:07] I believe.

[09:09] But could you tell Shala.

[09:13] I’m.

[09:15] Respect her greatly.

[09:17] And would want to help her.

[09:20] You.

[09:21] Speak to Shala.

[09:24] To which.

[09:25] Shala.

[09:26] She understood.

[09:30] Shall we go back.

[09:33] As you begin to leave the tent.

[09:36] You humans.

[09:39] And you.

[09:42] You both turn to see Shala.

[09:48] Speaking as loudly as she can.

[09:53] The mouth.

[09:54] The voice.

[09:56] Says.

[09:57] She asks that you stay a moment longer. I am immediately reversed. Oh, no, I’m walking. I walk backwards badly. And then 10. Face her again. You notice that he seems uncomfortable. I’m going to look at him and go. Did she want you to return? Who? You know. I’ll see you in a little.

[10:27] And he leaves and closes the curtain. Can I bring up. Actually, I’m going to wait a moment. There is some noise that escapes the fear.

[10:54] But it is. Is there anything I can match up with anything I’ve now seen from the language?

[11:08] Were you looking for specifically just any identifiable concepts or words that I might be able to like connect with what I know?

[11:17] It would be difficult. Let’s try for a, let’s say history. I think makes sense. This is the netline.

[11:32] How do you feel about religion? Is the language from their cons? I will actually accept religion instead.

[11:39] Thanks. 17. 17. Oh, wait. Can I just write it? Absolutely. 12. You’re so close.

[11:56] It is hard to discern anything. Though you recognize.

[12:06] You recognize some of the things that were mentioned while you were discussing the gods.

[12:16] It seems that she is saying something to you about the days.

[12:23] Oh, Zeke now would be so good for you to have magic mouth. Can I do my absolute best to remember the sounds she presents to me?

[12:35] Interesting. Interesting. If possible, I’d love to consider the sounds a willing creator and store them in my lantern.

[12:48] You’re going to land and it’s just screaming at you.

[12:54] That might be a stretch.

[13:04] I think that would be a stretch. I think that would be a stretch.

[13:07] At minimum, I’d love to try and remember what it sounds like.

[13:14] I offer you one of two pathways. Okay. The first pathway is that the first pathway is that we make this check.

[13:27] It will probably be history again. I’ve done very well.

[13:30] The second pathway is I will write a series of syllables.

[13:40] And then after a period of time, I will ask you to repeat them back to me later in the session.

[13:45] And how accurately you can remember those things to me, I will give you I will give you that much accuracy.

[13:56] I mean, I guess I’ve got to say you’re going to write that to me.

[13:59] No, I’m going to I’m going to verbally say something to you as if it were in a different language.

[14:04] I’m going to ask you to repeat it later in the session.

[14:07] How many times can I do a proposal here?

[14:11] If we’re doing this Chinese whisper style, he would be telling it to me and I’d be translating it.

[14:17] I’ll take my headphones off because Rose needs me to do something anyway.

[14:19] He has to reply it to me and then I have to reply it to you.

[14:24] Yeah, it will very much be the case that it’s like this is you taking the words that you’ve heard, reporting them to rhyme.

[14:35] And then depending on how accurate the syllables are, I’ll give you different amounts of like when you can translate at what this actually means.

[14:42] Well, I’m absolutely taking this up.

[14:44] Okay. Okay. Let me let me write something.

[14:46] Yeah, that makes sense.

[14:47] Just give me one of when you’re about to say.

[14:50] Do you want me to take my headphones off?

[14:55] Sure.

[14:55] Yeah, I got some errands to run.

[14:57] So I’ll be back in two minutes.

15m - 30m

[15:01] Like 20 minutes away.

[15:07] It’s going to be tasty when it gets to us.

[15:13] Say again, that’ll be tasty when it gets to us.

[15:24] What am I going to say?

[15:28] What is the gang signs?

[15:34] I’m going to say that you can’t write it down.

[15:41] You could require you to remember it.

[15:44] Okay.

[15:44] Can I debate this?

[15:46] Why?

[15:47] Because the amount of in game time is going to be very different from the amount of play time.

[15:54] So as if well, flip side, throw throws an idiot.

[15:57] I mean, I think that the amount of play time will be less than the amount of in game time.

[16:04] Like the amount of in game time that it takes you to walk back to people and navigate to your seat and have a conversation.

[16:11] Yeah, I think that will happen faster.

[16:13] Okay.

[16:17] I’m going to throw the paper sounds to themselves whilst in conversation still.

[16:24] Like the make and then you can do whatever you need to remember.

[16:28] Which is almost what it needs to do.

[16:34] But I love the idea that you gave it and you’re just like chatting.

[16:42] That’s exactly how I picture going down.

[16:46] No one judge me for my bad memory here.

[16:48] Okay.

[16:49] I’m also going to say I assume that you are going to want to chant this in your mind.

[16:57] I’m happy for it to be in your mind.

[16:59] If you are physically touching your head, you’re thinking it.

[17:02] If you want to say it, take your if you want to speak, take your hands off.

[17:05] Okay.

[17:05] Does that make sense?

[17:06] So then if somebody else talks to you, you like, I know that you’re just thinking and repeating in your mind.

[17:12] Yeah.

[17:12] That makes all that sense.

[17:14] Okay.

[17:14] Are you ready?

[17:16] No.

[17:17] But give me.

[17:19] Here it is.

[17:21] They say to you.

[17:23] Shah Ula.

[17:25] Neil Agra.

[17:27] Deshwar.

[17:35] And with that, you may leave.

[17:37] As soon as you exit the door.

[17:39] The door.

[17:40] We.

[17:41] Is there.

[17:44] And he says, what did she say?

[17:47] She.

[17:49] I understand.

[17:51] I’m just uploading.

[17:54] You’ve returned to your companions and destiny.

[17:57] This really grabbed rhyme.

[17:59] Are you ready?

[18:00] One second.

[18:02] You ready?

[18:03] You did.

[18:03] One second, please.

[18:04] You’re muted by the way.

[18:05] Yeah.

[18:08] What’s this thing called Chinese whisper?

[18:11] All right.

[18:11] I’m ready.

[18:14] Let’s go.

[18:16] Shah Ula.

[18:17] Neil Agra.

[18:18] Deshwar.

[18:19] What’s it mean?

[18:22] One more time.

[18:24] Why?

[18:27] Shah Ula.

[18:28] Neil Agra.

[18:29] Deshwar.

[18:34] And can I see your face?

[18:35] This time.

[18:39] Shah Ula.

[18:41] Neil Agra.

[18:42] Deshwar.

[18:45] You get mostly eyes.

[18:49] All right.

[18:50] What I’m getting is Shah as in God of loss and night.

[18:56] You are almost like the mathematician.

[19:02] Neil Agra.

[19:04] Kind of like.

[19:06] I guess.

[19:08] What’s that island that Trump goes to?

[19:15] It’s very close.

[19:17] It’s close, but not the same this time.

[19:20] Yeah.

[19:22] Uh, so I’ve got M-I-A-L-A-G-I-A.

[19:27] Okay.

[19:27] As my approximate transformation.

[19:29] And then I’m getting.

[19:30] Dishu or desu with a J possibly.

[19:35] Okay.

[19:37] Perfect.

[19:38] So from that.

[19:46] From that.

[19:47] You can translate.

[19:50] What seems to be a kind of ritual prayer.

[19:55] Yeah.

[19:55] Um.

[19:56] And I’m going to say because you did so well that desu sounds to you like it might mean desu with an N on the end of it. Uh, and with that. For the exact translation. It appears to translate to kind of a kind of a chant. Kind of a like a, uh, an invocation of the gods. That says.

[20:26] My flesh burns the gods. Oh. Now some context. Uh, I say for to be true, but you already know this, but I guess for everyone. My knowledge of the re-language would be from before they got the gift of the gods. Um, so does that have any meaning to me culturally?

[20:54] From before that point? Culturally, it would kind of well make a history or religion check. You know me. It’s going to be history.

[21:07] It is very funny in a world where religions are factual and we know that it exists to have a separate religion in history check. You’re right. Yeah.

[21:16] Uh, it’s like a medieval politics check. That’s going to be a 19.

[21:23] Okay. Um, it seems to be a, it seems to be a prayer not designed to besiege the gods, but something that intends to manifest them.

[21:44] A kind of, a kind of genuine like attempt. It’s, it’s almost like a spell, something that is trying to have the gods physically walk neutral alongside.

[22:05] Um, it also kind of strikes you as the story that you have been told is that the bodies of the wreath people are given to the gods to allow their power.

[22:33] This seems to be a different view of that, a different perspective, a different idea that their bodies are being given for something else.

[22:51] That’s what you get. So that’s a very generous interpretation. Thank you.

[23:00] And then it’s up to you. It’s very clear though that it wasn’t them saying something to throw necessarily, but rather a idiomatic turn of phrase of one kind or another.

[23:15] It wasn’t an attempt to communicate.

[23:17] I think it, I think it was something that they want to throw to hear, something they want to throw to know.

[23:23] Like using a line of scripture from the Bible to explain a situation currently occurring.

[23:28] Yes, and we can assume that this is a limps that Thrall is able to actually catch out of what was probably a much larger thing that they were attempting to say.

[23:40] Right. Well, Rome will actually implore Ronan to come over as part of this translation he might confer with Ronan in wreath to try and figure it out.

[23:49] And then yeah, I’ll relay pretty much what you just told me to Thrall and I guess granite, but not directly Harold, I suppose.

[23:59] Wow.

[24:01] And then I assume Ronan will immediately go off to do other things afterwards.

[24:05] It’s just like why you distract me.

[24:09] Oh, I think we need to go.

[24:15] Now we have places to be and I just a very unsafe location.

[24:24] Why do you find it unsafe?

[24:27] Why do you find it unsafe?

[24:33] I’m going to look around so that I can try and speak a little quieter.

[24:37] I’m going to think about that concept while in Ryzen’s sort of where as it were and I’m going to go.

[24:45] It’s a vibe based on facts I’ve been presented.

[24:54] Yeah.

[24:56] Is this a grey hat that just fell out of my beard?

[24:59] It’s something that I don’t know.

[25:02] How to.

[25:07] What if you did.

[25:11] I’m going to make a telepathic connection with.

[25:15] Is it rises would be right now?

[25:17] I wouldn’t try and make a telepathic connection.

[25:20] Oh, actually no telepathic would be fine.

[25:22] Yeah, I kind of want you to make a check to see if you can get rhyme rather than one of the other spirits of the body there.

[25:30] Because pretty much if you get Ronan, that’s a problem.

[25:33] I would say maybe whatever your spellcasting check is with a DC of 15 to hit specifically rhyme.

[25:42] Well, even with my roles, I’ll get this.

[25:46] There it is.

[25:47] I didn’t even need it this time.

[25:50] How do you feel about a 27?

[25:52] Is that the smallest dice known demand?

[25:55] By the way, that looks like you threw a grain of rice.

[25:59] They’re stored in this way.

[26:01] Cool.

[26:02] It is a D 20.

[26:05] Sorry.

[26:06] And that’s a D 20.

[26:08] Yeah, hold it up to the camera if you can.

[26:11] Holy shit.

[26:12] That’s really cool.

[26:16] Yeah, well, you will link on to rhyme, which actually is one of the few ways to only communicate to one of the egos without the others here.

[26:23] If you wanted to keep secrets from the rest of them, go ahead.

[26:28] Well, keep this link for as long as again.

[26:30] Um, uh, rice and woods to capture the greatest beings.

[26:37] Where have all of what’s been a betray everything?

[26:40] I know.

[26:42] But not to mention we already know who’s dangerous from to chic.

[26:46] I mean, I don’t feel like that’s necessarily attacked on you.

[26:52] They want to keep themselves safe and capturing a potential threat to them and their gods is within their own agendas.

[26:59] I understand you don’t want to comply with that.

[27:01] But I don’t think they meant it out of malice for you personally.

[27:05] He didn’t even ask what kind of god she was or what she’s the god of.

[27:10] He just learns that there was another powerful being.

[27:13] Had they tried to manipulate me into capturing that?

[27:17] Well, I’m glad you’re connected to me.

[27:18] So Ronan doesn’t hear this, but I don’t take the best, particularly the types of people that care who the outsider is just that they are an outsider.

[27:26] I think that’s part of the concern.

[27:30] They’re also very exclusionary and seem to have a culture based around not acknowledging the rest of the world and they’re for never knowing if they’re wrong.

[27:39] I guess the only reason I.

[27:44] The only reason I’m apprehensive here for all is perhaps we should learn more before we attempt to leave.

[27:50] Perhaps we can make a difference here.

[27:53] It seems like at least some of the wreath dissent against rise and the others.

[27:58] I very much agree. It’s it’s more.

[28:01] I don’t know what we can do in the moment and we do have a deadline to get.

[28:07] I’ll put up to go.

[28:09] Well, how about we give it just a bit more time?

[28:13] I think we still have plenty of time.

[28:16] Okay, I’ll put on a brave face.

[28:20] I appreciate it.

[28:23] You can’t quite see that Adrian, but he goes, I’ll put on a brave face.

[28:27] I mean, that’s as brave as they come, not even needed to see the world.

[28:32] Exactly. Only the bravest of people don’t acknowledge the problems.

[28:37] That’s the wreath of brave actor.

[28:39] And they.

[28:42] He’s fooling you both through.

[28:45] No, that was.

[28:53] As the sun finally fully sets.

[28:59] One of the wreath.

[29:01] Kind of stand from their table with other people kind of cheering them on.

[29:07] Goes forth and stands in front of the bonfire raises their arms.

[29:12] Speaks in the wreath language to cast magic.

[29:17] And thus the bonfire lights and burns brightly.

[29:22] The night turns from eating to dancing as lots of people kind of move around and do all their various things.

[29:30] And you various at at various points by various people are all kind of pulled in towards the bonfire to dance along with the wreath people burning men.

[29:42] So I was going.

[29:43] I’m serving.

[29:48] I want to set your specialty.

[29:51] Special T.

[29:53] I didn’t mean to do that.

[29:59] As Thrall’s hands are taking for the dance, he’s sort of spun around a little bit more in the importance to aid in dancing than the actual member of the dance. How about you, Granite? Granite will try and dance, but it’ll be more like…

30m - 45m

[30:20] Like, one of those guys in the light club who’s trying to be in macho, but it’ll be like…

[30:25] That’s all fighting. Yeah, that’s right. Okay, everyone is going to make a performance check.

[30:32] But, you know, I’m happy for you to give yourself advantage or disadvantage or a straight route based on how well you think your character will dance at this bonfire.

[30:42] Yes, I have to do disadvantage. I want to say a warning. I don’t think I want to do just a straight roll because I don’t think it’s weather. I think it’s good.

[30:53] Yeah, yeah, so fair. I think that’s an eight.

[31:00] Well, this is my, really? This is my spellcasting roll. So it’s pretty nice. Eight.

[31:10] Yeah, myself and Ronite.

[31:13] Ronny got a plus two. How about you, Edwin? Well, Ren is the dancer, but so Ronin’s just rolling normally and getting a 16.

[31:21] Nice.

[31:22] I have rolls on your side. Just for a second, I’m genuinely impressed you got an eight because if I was proficient in performance, I don’t think I could.

[31:34] I’m not proficient in performance.

[31:36] It’s just that it’s like my spellcasting DC.

[31:40] Yeah.

[31:41] Okay.

[31:42] There’s a lot going on.

[31:46] Because I was like, even if you have a plus four, you would get at least a 10.

[31:51] So I was like, you’d have to have a plus two and charisma if you were proficient in performance.

[31:58] So, Ryan, your dancing attracts some of the kind of more skilled dancers to sort of come and enjoy their time alongside you.

[32:09] Whereas the others, you sort of attract people who come to sort of help and guide you and sort of encourage certain kinds of movements and things to kind of sort of try and help you.

[32:21] I guess loosen up in the right ways and kind of fit in with this particular crowd and their movement.

[32:26] By the way, I realized that the echo would roll differently with disadvantage because Ryan has no dance and he got 18.

[32:35] So wait, which one is which at the moment your shadow is Ryan?

[32:40] Yes, because Ronin as the wreath is staying control of the body this whole time.

[32:45] Yeah, fair enough.

[32:48] Yes, so perfect. So then yes, you arrive and Ronin together kind of dancing in very kind of intuitive ways and just just fitting in quite smoothly.

[32:58] Whereas more like, you know, the kind of the children and the people who are there sort of guiding the children.

[33:03] Other ones kind of dancing alongside all of you guys to kind of make sure that the vibes are good and all this kind of thing.

[33:12] There are various kind of chance and calls that people make a lot of them are less.

[33:19] They’re less like it’s not it’s not like full sentences. They’re not like, you know, actually saying something.

[33:25] It’s just kind of a like a chanting call.

[33:30] Kind of in the way that you would like whoop while you danced that sort of thing, but just their own kind of version.

[33:38] I think.

[33:41] Great question.

[33:42] I want Adrian to I was going to say rhyme suddenly dissociates because I think I just figured something out.

[33:47] And so he just suddenly goes like stops and then likes that scribbling in his book and tries to find an escape from a dance floor as he does.

[33:55] So.

[33:57] Interesting. I want to hear what was yours.

[33:59] I was wondering if I could peel any like magical of that.

[34:03] Interesting. Yeah, like like like something that’s physically happening from the dancing.

[34:09] Absolutely.

[34:10] Make.

[34:11] And I’m trying to check the amount to do.

[34:16] 17.

[34:17] Um, there is in fact something magical about the events that are occurring.

[34:25] You are participating in a ritual spell.

[34:30] Is this the dance? Yes.

[34:37] I think rhyme will telepathically try and get through all.

[34:42] To me.

[34:43] Um, yes, you can kind of dance your way to the edge.

[34:47] There’s sort of a kind of like a social pressure to pull you in and to have you involved.

[34:52] But if you sort of decline and evolve, that’s fine.

[34:55] For you, Adrian, as you kind of pull, pull, as rhyme kind of pulls themselves away and takes, you know, they kind of.

[35:04] To be fair, he can like disappear and reappear at will.

[35:07] So it might be a bit easier for me to extricate myself.

[35:10] Sure. Yeah, yeah.

[35:11] So you kind of like vanish yourself and reappear kind of, you know, using your hands in various ways and thinking as your notebook and quill and write themselves.

[35:20] Which to clarify.

[35:22] Usually the book writes itself and floats there.

[35:24] So the fact that I’ve got the book in my hand is meeting.

[35:26] I’m really thinking about something.

[35:29] That’s it.

[35:30] So do you intend to draw our throw away as well?

[35:34] Yes.

[35:35] Not physically, but just ask him.

[35:38] Sorry.

[35:39] Not physically drag your way because I don’t have the ability to interact with you physically, but telepathically ask you to come see me.

[35:47] Yeah.

[35:48] A throw will absolutely do this immediately like his life depends on it.

[35:53] It’s like half the slightly above people and.

[35:56] So.

[35:59] If you don’t mind, I’ll have this conversation with Roller.

[36:01] Do you want to talk more about the party first?

[36:04] Okay.

[36:05] So as he’s scribbling, it’s obviously shadow, but very faint blue light.

[36:09] Let’s you see the ink that he’s putting on the page.

[36:13] I communicate to you telepathically.

[36:16] My flesh burns the gods, right?

[36:18] That’s what you said.

[36:19] And then, uh,

[36:22] Sha, you the milagra edition, right?

[36:26] Yeah.

[36:27] And their bodies are burning away.

[36:29] They’re losing their bodies, right?

[36:32] Yeah.

[36:32] And what did you see when you looked under the ground earlier?

[36:39] I saw a lot of shadow and I think I saw.

[36:44] Or some kind of Laura like leaves that were blowing in the wind as if there was wind or something breathing on it.

[36:54] Because what if the gods didn’t grant them this power?

[36:59] What if they trapped the gods and this ritual, which to clarify,

[37:07] I don’t know this is a spell that they’re casting right now.

[37:09] So I just mean the ritual that they undergo generally.

[37:11] Um, what if that’s being used to entrap the gods not to besiege them?

[37:21] Oh, boss them to give them this.

[37:24] Exactly.

[37:24] Maybe this isn’t as mutual of a relationship as we think.

[37:28] What if the real people don’t even know?

[37:32] Right.

[37:35] Think about it.

[37:35] This shellar person you were talking to, they’ve lost more of their body than anyone else.

[37:40] If we’re correct here, that means they’re being used as a battery almost.

[37:46] My only question is why would the speaker let you visit them?

[37:52] I guess if we were to be more children in this group than we would be.

[38:01] We’d get access to them eventually.

[38:03] So it’s just letting us do it out.

[38:05] Maybe their plan is to sacrifice us too.

[38:12] I don’t know if it was a leap now, can I make it?

[38:15] If you if you want, you can also see that some of your around the time that you’ve had this realization,

[38:21] you can see other companions of yours have also pulled from circle.

[38:23] Can I now make an icon of check to see if I notice the ritual thing as well?

[38:29] Thank you.

[38:30] Because this is like I turn back to the party and kind of observe what’s happening.

[38:39] That’s a 13.

[38:43] That was only a 13.

[38:45] Oh, not color.

[38:47] Oh, but you said he got advantage.

[38:48] Could I have advantage as well?

[38:51] No, not in this instance.

[38:53] Oh, yeah.

[38:56] Oh, okay.

[38:59] But yes, in this moment, granite will also join you.

[39:05] Your inkling is that there is magic that like something magical is happening,

[39:12] but not necessarily that you are participating in ritual.

[39:16] Yes, magic is occurring right now.

[39:19] And yes, as I say, it’s a joint joint.

[39:24] It’s bust and a move.

[39:27] And a hit.

[39:35] Okay, you are all together.

[39:38] The position of last fire.

[39:41] Does that correlate to where?

[39:43] Rolls or shadows?

[39:46] Um, so this is this is a different place.

[39:49] So the clearing the event too was at the kind of at the.

[39:54] I guess, yeah, yeah, in that area, this is kind of a common meeting ground for everybody. So you’re not particularly close. Like, you’re in rate. Everything’s not that far away, but they’re not like on top of one another. I think we should go. I can look at Harold. And just like sideways floats over the house because… Wow!

[40:29] It’s so magic! It’s a trend, so there’s nothing to some time. I think we need to go.

[40:41] Can’t tell you what we’re going. There’s Versa. Thank you!

[40:48] And like, Sarah is trying so hard not to cry. I assume, through all like floats in front of Harold. Yeah, and he grabs his hips and starts doing konga.

[40:58] Oh, that’s a threat. That’s a threat.

[41:01] That’s a threat. It looks like I’m doing it as well, too. I think that’s right.

[41:06] That’s a threat. That’s a threat. It’s a threat. It’s a threat. It’s a threat.

[41:08] People’s about to go around the area.

[41:11] Did anyone in the lands of Ruth know what a konga line is? You would have sounded a huge movement.

[41:16] Like, the two of you konga perfectly out of conspicuousness.

[41:24] I would argue that with a high enough performance check, maybe some of them figure it out.

[41:34] We are now all together.

[41:37] Except Vernon technically.

[41:42] Wait, Helen, I’m figuring out what I know. Well, we figured out a thing that, oh, then this is very hard to focus.

[41:53] We might not think what the elder is saying, which is really spooky.

[41:58] They have a view that maybe it’s something very dangerous that I can’t say in this area.

[42:08] Okay, there are a number of things that we wanted here that, oh no, what do we want still?

[42:19] Well, I believe there was a very important piece of equipment we wanted to have a child about.

[42:27] Let’s go do that real quick.

[42:29] I was, who told you for it?

[42:35] I guess that’s the question. Are we going to ask if we can borrow it?

[42:42] Or did we decide on the approach we’re taking?

[42:45] I think we don’t need to worry about ethics as much.

[42:52] I think this place is beyond the reach of ethics.

[43:00] You hear Ryan muttering to himself, clearly trying to communicate with Vernon, who can he have his thought?

[43:08] Oh, yeah, that reminds me, is Rodin still dancing?

[43:13] Rodin’s still dancing, yeah.

[43:21] What if we friend and have a chat with our friends?

[43:27] That’s a great idea. Where is he?

[43:30] Can I see T’Challa?

[43:32] T’Challa?

[43:34] In the like here at the, at the, at the, yeah.

[43:37] That’s the least.

[43:40] Make your choice of perception or investigation.

[43:43] Can I, can I, can I see me giving help so can I also wrong ones?

[43:47] Yep, that’s fine.

[43:51] Oh, she used to, it’s real handy, but you said investigation or perception because they’re the same thing.

[43:59] Oh, okay.

[44:00] I’m doing an exception.

[44:02] 24.

[44:03] Okay.

[44:05] Yeah, I don’t know what to say.

[44:09] Find a little bit of that 24, she was there.

[44:11] Yeah.

[44:13] If we were to take the highest and then either average or ignore the lowest.

[44:18] Yeah, let’s focus on the ignoring the investigation.

[44:21] Yeah, spicy, you know.

[44:25] You are confident that Tishik is not here at the festivities.

[44:30] Fast.

[44:31] Tell me, I thought I’d sit in the buildings.

[44:35] Do we get the feeling that we have to be sneaky if we go in the buildings?

[44:41] How do you mean?

[44:42] I seem like.

[44:43] Are there any people already walking around in them, for example?

[44:46] Like can we see movement or is everyone right here?

[44:48] And maybe even someone’s stopping us going into the building.

[44:51] So if you were to kind of go way into the trees or to find kind of the houses and things like this,

[44:59] it would be slipping away.

45m - 60m

[45:01] It would probably be noticed,

[45:04] depending on exactly how and when you did it.

[45:09] It’s up to you if you can either create a distraction or find the right movement to slip away.

[45:15] There’s no saying whether you would be stopped necessarily,

[45:20] but it’s not like clearly patrol that everyone here is being forced to be here.

[45:25] I think I could get away safely without anyone knowing.

[45:37] I pretty much throw up wouldn’t be able to leave without bringing my body here,

[45:41] which would be a problem.

[45:42] So this one might be a year of mission.

[45:46] And we’re talking about finding to shoot to shoot to shoot to shot that.

[45:50] And that was telekinetically.

[45:51] I might start doing that one telepathically.

[45:54] With telepathically, yeah.

[45:58] I can definitely make it in the end without anyone knowing.

[46:05] I don’t know, I don’t know how things go here.

[46:07] Definitely do I bumble as well?

[46:10] Or do I?

[46:15] I start bumbling in an orchestra.

[46:20] I’m going to cast mislead

[46:24] so that through all keeps sort of like gets back into the dance and bobs around and floats.

[46:29] It’s just out of reach if anyone who might try and touch him.

[46:32] Yeah.

[46:33] While actual thrall is invisible and makes his way over to the buildings.

[46:40] I will disappear in the shadows.

[46:42] Yeah.

[46:43] All right.

[46:44] And still check for you.

[46:46] So check for your family.

[46:49] So check on your cow.

[46:50] So check for your cow.

[46:51] I’m just going to look up mislead as well for for a detail.

[46:55] I specifically so an illusion of me appears where I’m standing that I can choose to see through

[47:01] and let if I don’t do it through my original.

[47:03] Yeah.

[47:03] And I turn invisible in the exact same spot.

[47:05] So it looks like I’ve just continued existing.

[47:08] Yeah.

[47:09] And then I can control one at a time basically.

[47:11] I mean, I can make it do something consistent.

[47:13] Yes.

[47:16] It’s exactly for this.

[47:19] Just throw spells are entirely based around fear.

[47:22] Who would have thought

[47:24] I just love that.

[47:25] Is he fearful?

[47:27] He’s very fearful.

[47:30] Yo.

[47:31] As you slip away invisibly.

[47:33] Oh, can you make a stealth check at advantage for me please?

[47:42] So tiny.

[47:47] Let’s just get some help.

[47:49] I see we’re for going the tiny die with their tiny result.

[47:53] Yes, they’re not doing me well enough.

[47:58] You need the other tiny die.

[48:04] Spectacular.

[48:08] Stealth user.

[48:09] Stealth.

[48:14] 17.

[48:16] 17.

[48:22] As you turn invisible.

[48:26] And as you kind of slip away, you sort of look around,

[48:29] keep an eye everywhere.

[48:32] And you realize that for a moment, as you retreat,

[48:43] Ryzen’s eyes are following you perfectly

[48:47] until you slip just a little too far

[48:52] and his eyes flicker ever so slightly

[48:54] to find you.

[48:56] And after a moment, he kind of looks around

[48:59] and sees you floating

[49:03] around the bonfire.

[49:04] And then seems to stop looking.

[49:07] Interesting.

[49:10] There are definitely two ways I can look at the situation.

[49:12] They’re a reply to different responses.

[49:16] In for a penny, I’m going to keep going and

[49:20] see if I can find something too search for you to shoot.

[49:24] Okay. How’d you go on, Stephen?

[49:26] I could feel a bit dirty.

[49:28] Wow.

[49:29] That is filthy.

[49:31] I’m going to dismiss Ryme.

[49:35] He’s going to stay just in the brain for the moment

[49:37] and Ryme’s going to come out instead

[49:38] and join the festivities as the better dancer of the two.

[49:43] Why still have a telepathic connection to Ryme, though?

[49:47] And less to me, Trey, over rules that that was my understanding

[49:49] is you’re connected.

[49:51] As long as you can connect to the body,

[49:53] you can connect to Ryme, is my thoughts.

[49:56] Can you make a performance check as Rin, Adrian, with the A? Can you? Yeah, just go forwards. Can I, as I’m going, by the way, occasionally swap back

[50:13] consciousness to see through the illusion? Just for seconds to double check the reason that hasn’t

[50:19] been. Can I use inspiration from the last session to reroll that? Yeah, that’s fine. Thank you.

[50:35] Maybe. Would you like to go ahead? That was a 13 by 100 into a 26 with inspiration.

[50:43] Nice, Ben has literally jubbly. Which ones would you like? I would like, this one, this one, and… Good boy, Benji!

[51:01] Very, yeah. Thank you for that. I’m not for nothing, my opinion. Oh, yeah. So,

[51:12] bro, as you kind of do, as you fade away into the tree line, and you kind of switch your vision back to

[51:22] back to your illusion to kind of keep an eye on everything, mainly Ryzen and the voice.

[51:30] Yes, to keep an eye on Ryzen and the ones that kind of stay there next to them.

[51:38] You see that Ryzen is very happily watching along with the festivities. You notice that

[51:48] they are particularly drawn, in fact, to your companion, Ren, who is dancing up an absolute storm

[51:56] and is both doing a very good, very performative dance, but also one that has very naturally

[52:07] kind of blended Ren’s natural styles with these styles of the wreath. You also recognize that

[52:15] the distance that your illusion flies is slightly further away than that moment that Ryzen

[52:24] seems to lose you as you’ve faded invisibly away. I’m sorry, but again, I’m sorry. You also

[52:32] realize that your illusion is slightly further away from Ryzen than that moment where he seems to be

[52:39] watching you while invisible, and then suddenly you seem to disappear to him. Like, if I were to just

[52:45] change phrasing for a moment, if he had some kind of vision that was less than false,

[52:51] or more than you might argue, it could have some kind of like a amount of hands away that it can

[52:57] see, and the illusion is within that, but I was sorry, it’s without him. Yes, outside of that.

[53:03] Great. I could dance them. Yes, that would be an accurate re-wording. Thank you.

[53:09] Saadon, I just want to clarify that I absolutely do not have much knowledge of this concept.

[53:13] Well, I obviously do. Not of this creature. Oh, I see. No, I understand.

[53:18] All right, have a stat block up here if you need it.

[53:23] I have a stat block if you need it.

[53:31] So, 100 down to sheet. Yes. So, you slip away. You slip away. Are you staying?

[53:39] No, I’m bumbling off in a direction, so I’m not trying to look sneaky. I’m just like

[53:44] so your goal is to, so you’re going to kind of, you’re going to, like, slip away in a sense,

[53:49] but not by being selfie, by being kind of, by just having a shot of just sort of one way.

[54:00] That’s fine. You make an performance check for me as well.

[54:06] Would you accept deception? I would accept deception. They’re both there as well.

[54:13] I don’t know.

[54:16] Now,

[54:19] do you want these my imperfections for this? No, as a 12.

[54:25] That’s fine. So,

[54:30] you make a good show of kind of innocence, basically. People are aware that you have left.

[54:37] But there’s no kind of sense of just making off to do something.

[54:44] That said, there may come a point where people start to go,

[54:48] or that you haven’t come back, or I wonder where they are, and things may come a bit later.

[54:56] So, the three of you kind of find each other is, so the goal is to go back to that sort of throne

[55:06] room, clearing. I specifically, but I don’t necessarily think you both need to, if you

[55:12] would have split up and set up a cruise control. Yeah, because I know that’s what you do.

[55:17] Because I think we’ll probably be going from our own. I think so. I’m also invisible.

[55:23] I should not go without moving. Yeah, yeah. So, equally, I, in fact, I won’t go to the throne room

[55:29] because I can fly. I can probably see a little bit more in the open areas that I would be able to

[55:35] go in a hallway. You could probably go to Shalah. You could go to Shalah, couldn’t you?

[55:42] Now that I’m here to telepathically help you translate. Oh, that’s so interesting.

[55:51] Yes. Do you think I could go to Shalah instead?

[56:04] I don’t know, I don’t know. I’m very good at perceiving. Can I try to perceive the things?

[56:20] Well, you can feel him leave the 10-foot radius in a certain direction. Adrian, do you want to

[56:28] shoot in now as well? Yeah, just a question for Thrill, more or less. The guy that was in the room

[56:34] with you was the one that visited you in the lantern, right? No, no. That’s… I have…

[56:44] Sicilian of Sicilian. Sicilian. Sicilian. Sicilian was guarding… Oh, no. How did I forget that name?

[56:55] Seeing it, I’m just giving two different names. Shalah. Yeah.

[57:01] Sicilian was guarding Shalah, but… But Sicilian is not the one that joined you in the lantern.

[57:09] He is? That was my question. Oh, I’m so sorry. Yeah, that’s right. So my question is,

[57:18] was he also dissenting from… I know you had a conversation with him. Did you get the opinion that he

[57:25] also didn’t agree with the decisions of Ryzen? Because he on our side… I got specifically the opinion,

[57:32] but no concrete knowledge. I couldn’t communicate with him enough. Didn’t he leave some ruins for you?

[57:39] He did. He gave me the language, but not in any organized way to say it was a sentence. I don’t think

[57:44] it’s like he gave me the means of understanding the language almost as it did.

[57:48] So that’s right. Was that vaguely correct to what I got? Like he named me the alphabet. Okay.

[57:55] Yeah, it’s not something I can current give you in word form, but I can take you into the lantern at some point to show you.

[58:01] Sure. Okay. It’s just curious. That’s all.

[58:07] Okay. So I’ll have to show up. Okay. You’re heading to show up. Where are you guys heading?

[58:15] You can see Rouse. You’re going to go for it. Because I think you’ll have a better time

[58:20] if you’re not being caught. And then I can perhaps just wander around.

[58:29] So one of us is not going to seek. Yeah, that’s why we’re trying to find him.

[58:33] Oh, that’s the one going around. Dementia privilege.

[58:37] To look for he’s…

[58:42] Yes, I shall look at the chic. I’ll try to look at it.

[58:51] All right. So I’m wondering, looking around Chilla,

[58:56] generally also trying to kind of learn which chic is. Yeah. Okay.

[59:04] We have a… What are the speaking works again?

[59:10] Sendings done. And if we have sendings done, don’t we?

[59:13] The only ones that I remember. Oh, did we get them recently from the Atlas Rainfall?

[59:17] Yes, you were given a set by

[59:24] Vasyl, I don’t remember why you wanted them. Was it to give you want to heal us for something?

[59:29] Well, didn’t we get teleportation items, not sending stones?

[59:33] No, you don’t. I’ll check my notes.

[59:38] We do have sending stones. So if you guys want to have sending stones between you, that’s fine.

[59:42] They were for a reason I don’t remember and don’t know if it was one of mine, so I don’t mind.

[59:46] But you can just use them in the meantime.

[59:49] Like it’s not like they’re single use.

[59:52] They’re ones per day, but still.

[59:54] Right. Because we have another means of communicating while we’re searching. I can communicate with Rime at all times. But that’s it for me. Though I’m also going a different way. If it’s just the two of you, you should totally take the service notes. I think that’s great at it. Yes, once per day.

1h 00m - 1h 30m

[01:00:24] And there’s a cast of sending. As in, you can send a certain amount of letters and they can respond to that, and they can respond to certain amount of letters.

[01:00:35] Sending and message, I will never get the right answer. Yeah. All right. Is it?

[01:00:41] Awesome. Well, I’m on the way. Could I possibly peeking into my lens if I have that capacity, but generally from memory?

[01:00:50] I want to know, I, this is a long shot, so it’s fine, obviously. But I want to know if I can get any of the symbols to me, friend. If I can, in any way, understand one that could be similar to friend, ally, peace, anything like that.

[01:01:05] Can I tell him which symbol is the most like that? To strive it to him?

[01:01:10] Yeah, I’m happy for you guys to communicate. Yeah, that’s a great point. Yeah. I’m going to ask you how I would say a friend in Greece.

[01:01:21] I tell him an approximate answer, but as a prank, I say enemy.

[01:01:29] You go back to seeking a minute, you look in, you go enemy.

[01:01:35] It was very curatorial tone as well. Yes. Okay. So I’m happy to say that you can say friend in with a listener now.

[01:01:47] Okay. Perfect. So type of vision.

[01:01:51] I’d fan it, actually, expertise.

[01:01:56] We’re going to start with you then. Oh, sorry, who’s taking the sending service?

[01:02:00] You guys.

[01:02:04] So we’re going to start with you.

[01:02:07] As you arrive at Shalas tent.

[01:02:15] You see the guard at the fruct, his whip boiled, continuing to eat berries from his hand.

[01:02:21] This is a security.

[01:02:23] Security. Yeah.

[01:02:24] You can’t have it. There’s no intention.

[01:02:26] I know it’s so it’s so reasonable.

[01:02:29] I’m making it a less of a name.

[01:02:32] I don’t know what’s so funny. His name is originally Sicilian, but the ages have been Sicilian.

[01:02:36] And only right before I introduced him, so I realized that’s a real place.

[01:02:40] Yeah.

[01:02:40] Yeah.

[01:02:42] That’s what I was saying to me tree. Sicily is what I had written down.

[01:02:47] No, it’s, it’s their front of land or in East Asia.

[01:02:51] But it does have a line.

[01:02:52] Never get into a battle of wits.

[01:02:54] Yeah.

[01:02:59] I don’t want to sneak past.

[01:03:04] Sicilian specifically.

[01:03:05] Thank you.

[01:03:06] It’s Killian’s a name.

[01:03:09] I don’t want to break invisibility either, though.

[01:03:11] Yes.

[01:03:11]

[01:03:12] I would like to get within like.

[01:03:16] Like 10 feet away from it, not like I’m whispering in your ear, not like you’re hearing some of the bushes.

[01:03:22] I want to say the wreath word for friend.

[01:03:26] And I want with my foot to like.

[01:03:29] And draw a kind of quarter circle of a dirt.

[01:03:34] It’s like mark where I am.

[01:03:37] He makes no recognition as he eats his berries aside from very subtly.

[01:03:43] Without looking in your direction, doing it.

[01:03:48] I’m then going to stop lying.

[01:03:53] Magic.

[01:03:54]

[01:03:54] I’m on it.

[01:03:55] Well, once you’re in there, it’s fine, right?

[01:03:57] I’m going to like open the first curtain and like step in, close it behind me like I’m about to get changed and reappear.

[01:04:05] Do you let me know that you’re doing that so that I can cover for the fact that your clone disappears?

[01:04:12] Does it probably does all tie in together, doesn’t it?

[01:04:18] I mean, frankly, I forgot that it was going to happen.

[01:04:22] So I think I forgot that it was going to happen.

[01:04:24] Are you talking on concentration base?

[01:04:27] It is, but this wouldn’t actually break concentration necessarily.

[01:04:30] Well, it’s just I don’t think I can cancel one and not cancel the other.

[01:04:34] Can I do an icon of check to see if I would have called you out on it?

[01:04:39] I think it just happens.

[01:04:41] Yeah.

[01:04:41] If you haven’t.

[01:04:43] Yeah, it just happened.

[01:04:44] I’m happy for you.

[01:04:45] They’re at the bonfire to try and do something that will cover all the same.

[01:04:49] Yeah.

[01:04:51] Maybe I need perception to notice in the first place though.

[01:04:54] I’m not the most perceptive person.

[01:04:57] That’s fair and you’re focused on other things.

[01:04:59] Let’s make it a perception check.

[01:05:01] Not enough, only an eight.

[01:05:02] So I don’t do anything to cover.

[01:05:04] Fair enough.

[01:05:05] So the illusion disappears and.

[01:05:09] Lucky I didn’t make it so that it was flying above everyone.

[01:05:13] But it’s all right.

[01:05:15] Everyone’s too hard to notice, right?

[01:05:16] Yeah, except for like the giant angel sitting on a throne that wants to kill.

[01:05:22] Hey, at least you’re far enough away from him that he actually can’t see you at all.

[01:05:25] That’s my cannon.

[01:05:33] Okay.

[01:05:34] Either way, I will cancel it in seconds.

[01:05:36]

[01:05:38] You do.

[01:05:39] Shala is there with her eyes closed.

[01:05:43] And can I try and have this conversation?

[01:05:47] I know that she’s the hard to describe.

[01:05:49] But can I try and have this conversation just.

[01:05:53] Constantly being translated by right.

[01:05:56] Yep.

[01:05:57] Absolutely.

[01:05:59] Yeah, of course, I if to be true wants to make that difficult in one way or another.

[01:06:04] That’s fine by me because obviously.

[01:06:07] Yeah, there’s some variables in there, but that’s fine by me to do.

[01:06:13] There is definitely a like chain like that telephone communication chain happening.

[01:06:21] But I think.

[01:06:24] Actually, I think if there is a specific instance where something will be difficult,

[01:06:28] it’ll be difficult in that instance, but do you do you want to add something?

[01:06:31] No, I was checking if one of my abilities can be used in another person, but it can’t so good.

[01:06:39] What do you say to Shala?

[01:06:44] I’m going to say.

[01:06:48] Hi, I’m back.

[01:06:50] No one knows I’m here.

[01:06:52] And I’m so sorry for the disturbance.

[01:06:54] I hope you’re okay.

[01:06:56] Her eyes kind of slowly.

[01:06:58] She can trust the branch open.

[01:07:05] If my eyes ever get crunchy, pull the plug.

[01:07:12] What if it’s possible?

[01:07:15] That’s not crunchy.

[01:07:17] That’s.

[01:07:18] What if it’s paint eye for fun reasons?

[01:07:21] Oh, that’s later.

[01:07:27] I said it’s salty and sweet.

[01:07:30] And Dan goes, well, that’s later.

[01:07:36] Yes.

[01:07:39] Hi.

[01:07:40] I’m kind of stares at what I’m saying must cut up in the most broken words,

[01:07:50] but especially for fraud.

[01:07:55] But he’s going to go.

[01:07:57] I thought I’d try and talk to you without the middle man.

[01:08:02] Are you okay?

[01:08:10] You hear her begin to speak.

[01:08:15] She says something that you send to rhyme and rhyme communicates back means.

[01:08:27] It’s an expression that means that she’s glad.

[01:08:32] This is a good meeting.

[01:08:36] He’s going to go.

[01:08:44] So, we had a right of question.

[01:08:46] Did you want this to happen?

[01:08:52] The communication chain returns that.

[01:09:04] Basically, that’s the.

[01:09:07] All I told this is a sense that there is no other way.

[01:09:21] If we could fix this, would you want that?

[01:09:26] She says yes.

[01:09:29] Do you desire to follow Ryzen?

[01:09:35] She says no.

[01:09:38] What do you mind if we murdered Ryzen?

[01:09:47] What follows is simply a series of prayers.

[01:09:51] It’s not so much that she feels she can say one way or the other, but that she prays that the big odds will see that Glee’s done all day. Yeah. Can I just see them? No. Sorry. That’s not no. Yeah. Oh, it’s a yes to me. In this example.

[01:10:21] Can I see? Is she, just to give my brain at how it works, is she held up in some way? Yes. There are kind of shrine-like structures that keep her various parts together under their own weight.

[01:10:37] Okay. Like the Emperor in episode 7, of course. Sorry. Nine episodes. As I would know, it’s a small family. Let’s go with yes. Like Gladys? Like Gladys. I was hoping that you would be working on that. I mean, I know Portal. Yeah. She’s grown up, but she’s held up by a lot of stuff. It doesn’t matter. Don’t worry. No, not quite. More like if you were to build structures from underneath. Oh, okay. The things, rather than like kind of held with not a lot of strings or anything.

[01:11:06] If you were given the option, would you leave this place? She doesn’t know. I, if you would want. And also not knowing if I can do this with the plants and such.

[01:11:26] I can put you into, and I like open my coat just enough to show that there is a lantern, but not enough for the magic to go, blah. I can put you in this. And you can come with us if you want to.

[01:11:40] As you kind of like draw it out, a little more light shines out than you would expect, but not the way that you’re used to shining with this lantern.

[01:11:53] It’s not so much the glow of the lantern. It isn’t the kind of cloudy sort of starry mist in the middle of it. It’s actually a projection.

[01:12:04] A piece of magic reaching out in beams of light. And you watch as the tent is briefly illuminated with the dancing of various silhouetted figures.

[01:12:19] And you recognize the writing etched on the inside of your lantern animating.

[01:12:28] Unbelievably cool.

[01:12:32] And you watch as the shrine begins kind of pulling away from the wall and from the ground.

[01:12:47] And as Charlotte closes her eyes.

[01:12:53] If you’re happy for this to happen, she enters your land.

[01:12:59] Yeah.

[01:13:01] Goes into it. Preferably with the structure.

[01:13:05] I know that I have very limited control in there, but I’d love to do whatever I can to make it immediately comfortable like extra cushion stone.

[01:13:14] In fact, let’s say in the moment that she goes in momentarily so to do you and you can see built out from the place where the writing was etched.

[01:13:30] The structure that houses Charlotte is now built into your lantern.

[01:13:36] Sick. It is this fully encapsulated kind of piece of structure that is as much of hard of the lantern as anything else.

[01:13:45] Before I leave the lantern.

[01:13:49] Oh, I don’t know if this tablet pathic ability works between realms.

[01:13:56] Let’s say that it’s fine for now, but this specifically.

[01:14:00] Or keeping the translation going.

[01:14:02] I’m going to go.

[01:14:04] I must leave this to continue my investigation.

[01:14:10] But I will return at least every day.

[01:14:14] And we will talk and I in the future have a safe place for you to be.

[01:14:20] You see cracked and dry bits.

[01:14:27] Into a slide.

[01:14:30] I’m going to pop up.

[01:14:32] It also can give the benefits of arrest, including food.

[01:14:36] Cool.

[01:14:38] Cool.

[01:14:40] As you leave the tent, you realize that security is no way to be found.

[01:14:45] I can’t.

[01:14:48] I can’t.

[01:14:49] You’re a brilliant rises.

[01:14:52] I think he’s fine.

[01:14:57] It seems pretty capable and I don’t imagine Ryzen would have made a show of leaving those my hopes.

[01:15:02] Ryzen would kick the shit out of anyone, but if that doesn’t happen, yeah, here.

[01:15:10] Yes. You find your way to be free. I was so careful not to say make your way and it

[01:15:21] didn’t matter. It did not affect the outcome. No. You find your way to be free. Yeah. What

[01:15:30] would you like to do? What’s your goal? I would like to, one, look for Tejik and two

[01:15:40] others will like to use the stone. The lens. What’s the name of the book series where they

[01:15:48] look through a stone and they see this goblin world? I don’t know. Some of the rings of

[01:15:54] the powder is the lion which in the water? No, it’s not the lion. Describe again what happens.

[01:16:08] So there is essentially this, people living this in the Monday world whilst there’s kind

[01:16:16] of like, failed worlds, the bulls that lives around us. And they don’t really interact.

[01:16:19] But once you’ve done to see them, they start to interact with more and the way that you can see them

[01:16:24] at first is through this stone that’s got a hole in it. I know the movie that you’re talking about.

[01:16:32] Yeah, I’m always mixed up with ink heart. Yeah. Oh no, I’m so sorry to mention. Now I need to know this.

[01:16:38] I mix it up with a series of unfortunate events.

[01:16:41] Finally with Chronicles. That’s yeah. That’s so fun.

[01:16:47] I just was very. No, I can tell. It was a half the group.

[01:16:52] It only wasn’t important to me because I’ve never had this fight with Chronicles.

[01:16:57] Or I might have known. I think I’ve heard the name before, but I don’t know the series.

[01:17:00] It’s an entertaining movie.

[01:17:04] My reddit.

[01:17:05] Kids books. No, I don’t use the internet that much.

[01:17:08] I read it. I would like to use the lens. Yes.

[01:17:16] To also love the room. Okay.

[01:17:18] For what? In particular.

[01:17:21] All right, let’s go with Titan fame and set.

[01:17:28] Isn’t there a particular piece that we know of being here?

[01:17:31] Like it’s a specific piece of armor?

[01:17:35] Yeah, I don’t think we know what it actually is.

[01:17:38] Oh, okay. Oh no, we can buy the action.

[01:17:42] Sure. We know the elimination.

[01:17:44] I think it’s not the dragon. It’s not the diadem.

[01:17:48] It’s, um, we know one of the others don’t we?

[01:17:51] It’s not the chess piece.

[01:17:53] No, because it’s not armor.

[01:17:55] Wait, we know it’s not armor.

[01:17:58] Yeah. So to be fair, the diadem is a headpiece,

[01:18:01] which is counted as a weapon in this example.

[01:18:04] So it can’t get a little mickey.

[01:18:06] I think the jewels of it.

[01:18:08] Yeah, absolutely.

[01:18:08] When it’s like the, uh, the circulate and the ring one.

[01:18:11] I am absolutely being sassy, but my actual thing is like,

[01:18:14] yeah, if this gem’s in that, what was the one that you said?

[01:18:18] We know where the tried and the diadem or, uh, sorry, I couldn’t, yeah.

[01:18:23] Um, and you’re saying what?

[01:18:25] I can’t think of it.

[01:18:26] Mole?

[01:18:28] We don’t know what that one is, so I could do that.

[01:18:29] Great.

[01:18:31] Oh, fuck, we also don’t know.

[01:18:35] I just, I feel like I remember it’s specifically not working

[01:18:41] when searching for Titan’s band.

[01:18:43] And that was the thing he was trying to improve about the stone.

[01:18:47] Oh, uh, he’s always saying.

[01:18:50] Yeah, so the thing that happened was he would say, uh,

[01:18:54] Titan’s Bane shield, and it would show him all shields.

[01:18:58] Well, he would say Titan’s Bane Trident, and it would show him all Tridance.

[01:19:01] Uh, Granite said Titan’s Bane, and it was showing him the Titan’s Bane pins.

[01:19:06] Yeah.

[01:19:07] Oh, it actually did work.

[01:19:08] Okay, cool.

[01:19:10] So that was the, that was the thing of like, I’ll just hold on to this for you.

[01:19:13] It’s clearly broken.

[01:19:14] No worry about it.

[01:19:14] Right.

[01:19:14] I thought it actually was broken.

[01:19:16] And we, it just happened to have alternative uses.

[01:19:19] Never mind.

[01:19:22] Uh,

[01:19:23] I think it’s very convincing.

[01:19:30] Machanically.

[01:19:34] So, um,

[01:19:37] uh, uh, in your kind of looking around.

[01:19:40] So the first thing is that Tishik isn’t obviously here.

[01:19:44] Um, there, uh, there appears to be no one here.

[01:19:48] The place is, this is generally empty.

[01:19:50] Um, you walk past that place, that, um, uh, that, that group of flowers in the ground that Thrall looks through. Uh, you kind of look through the throat and around the throat. Uh, again, I know people obviously here. Um, and using the lens to say Titan’s name. Um,

[01:20:23] doesn’t immediately view any clear result. Then obviously the usual things of what you’re wearing. And also in the somewhat far off distance or some of your companions. Though actually to be fair right now.

[01:20:37] Oh, no, it’s actually literally just shadow you.

[01:20:42] Um,

[01:20:43] um,

[01:20:45] it’s been, um,

[01:20:48] it’s just a 10, 15 or 10 or 15, I intend to it. Yeah.

[01:20:52] I was like, you know, you finish it down, right? And also what I missed it, but it’s going to be gone for two hours.

[01:21:02] Um, yes, um,

[01:21:07] yeah. So yeah, off in the distance, you can see, let’s say that Cara and Zunei are here helping us, helping us out, you can kind of see them.

[01:21:15] Um, but other than that, it is difficult to see.

[01:21:18] I think because there’s a lot of care at heart.

[01:21:25] I don’t know how would I felt like I was about to get bitten. I’m really glad that I wasn’t bitten on the forehead.

[01:21:29] Yeah. Yeah.

[01:21:30] It’s a bad place to get bitten.

[01:21:32] Yeah.

[01:21:33] It’s been bitten on the forehead.

[01:21:36] It was.

[01:21:38] How would you?

[01:21:39] It’s not something I would do.

[01:21:41] I haven’t actually been bitten on the forehead. It just made sense for the company.

[01:21:45] Now I want to bite on the forehead and just to be like, you said it now has to happen.

[01:21:49] Yeah. I appreciate the communication.

[01:21:53] Yeah.

[01:21:54] What have you done?

[01:21:56] I’ve already been bitten on the forehead.

[01:21:58] This is just another.

[01:22:02] This is an mark in my long history, been bitten on the forehead.

[01:22:06] Also by you.

[01:22:07] Yeah, you know, you deserve this.

[01:22:09] Yeah.

[01:22:11] So with nothing obvious to me, Zunei, is there anything else that you would like to investigate while you’re here?

[01:22:19] Um.

[01:22:19] Um.

[01:22:23] I would also like to take a fairly brief scan around for alternate entities and exits.

[01:22:28] And then.

[01:22:36] Let’s talk about it.

[01:22:38] Did you did you want to borrow through.

[01:22:42] The flowers.

[01:22:43] You know about.

[01:22:46] What do you want to look around specifically for other ones?

[01:22:49] Um, I.

[01:22:53] Hey, Google.

[01:22:55] Play range sounds.

[01:22:56] That one at this point.

[01:22:59] Okay.

[01:23:01] I’m kind of going on and looking around.

[01:23:04] Do you make investigations?

[01:23:10] 15.

[01:23:10] 15.

[01:23:11] 15.

[01:23:12] That’s such a lie.

[01:23:15] 25.

[01:23:16] Okay.

[01:23:21] So kind of looking around.

[01:23:25] 25.

[01:23:27] You notice a few things.

[01:23:28] First of all.

[01:23:30] You notice that.

[01:23:33] You remember in Skittle.

[01:23:35] When you know that they were that sort of copy to them came from the ground that was.

[01:23:46] That sort of resulted in us realizing that it must be kind of a breathing mechanism for the day.

[01:23:53] CD.

[01:24:00] Can we see it flashing.

[01:24:03] I don’t know.

[01:24:04] I’ve got another three.

[01:24:09] Yeah, oh, still Web Basic

[01:24:15] with me.

[01:24:16] Say it again.

[01:24:16] Yeah.

[01:24:17] So what you find here is.

[01:24:20] Instead of having kind of a, instead of having kind of a single point, that is, this is

[01:24:28] being breathed through, there’s oxygen traveling through this, you realize that the cold touch

[01:24:37] of the milk broth beneath your feet is different to actually holding milk grass or even holding

[01:24:45] the soil, the warmth in your hand perfectly naturally, we begin to feel, in fact, is that

[01:24:54] here in this place, oxygen seems to travel through the ground, it seems to breathe in a sense,

[01:25:03] oxygen flowing down into my blood and flowing back out again as well.

[01:25:14] This kind of makes you think that there is a rather large and rather cavernous place beneath

[01:25:23] this throne word in particular, something which you can only sort of has the guesses on whether

[01:25:33] the people are aware of, including rising, who use this throne word.

[01:25:52] I think that having not had an interest in space making money, I will leave that for now.

[01:26:01] I love to try and make my way back to Ireland, with the lay out of the land, is it possible

[01:26:09] for me to go fast the milk grass riverbeds to try and find the, to try and stealthily find

[01:26:19] the right address, do you want to look kind of on the edge where the river is?

[01:26:29] Yeah, using the not stone, using the lense, it will be like a little more around it

[01:26:34] by way, but that’s fine, it’s a small enough place that you figure it out, I think.

[01:26:39] And especially with perhaps whatever last sort of remnants there are of the setting sun,

[01:26:44] pretty clearly lighting your way in the sky, it would be difficult to get lost and you pick

[01:26:48] a direction and head there.

[01:26:55] Okay, me as you kind of wonder about, you do see an arrangement of houses, some of which

[01:27:08] are fairly, not exactly 10, like them all, closer to sort of, that housing is all very close,

[01:27:19] you don’t have a lot of houses spread out, sorry, it’s just the multi-guised, well that’s okay,

[01:27:30] it’s very sort of community based, and in fact as you sort of approach this stretch housing,

[01:27:38] you hear within a fussy baby cry and somebody sort of attending to them, in fact several people

[01:27:47] attending to the kind of, yeah, kind of enjoying their own time away from the festivities,

[01:27:55] but still sort of happily doing things that need to be done.

[01:28:00] And in fact, as one of them kind of leaves with a,

[01:28:10] as one of them kind of leaves with a kind of vessel for water and begins making their way

[01:28:20] out towards the ceiling belt, they kind of see you and they have an odd kind of moment of sort of

[01:28:27] looking at you a little, and surely, and they sort of, now they head back and, you know,

[01:28:36] smile maybe with the slight sense of awkwardness of just uncertainty, and move on.

[01:28:45] I’m looking for anything in particular, I am specifically looking for to shake, but

[01:28:54] I don’t want to look like I’m looking for. Is there anything that guides you?

[01:29:01] Is there something that you think to shake will be particularly drawn to?

[01:29:34] Yeah, I think there’s anything specific that I’m using to guide me.

[01:29:41] Mm-hmm.

[01:29:45] Just call me.

[01:29:46] Yeah.

[01:29:47] Mm-hmm.

[01:29:48] Okay.

[01:29:50] After a while, I’m sort of wondering around exploring the area, making sure that he’s not hiding somewhere in this housing area. The person kind of returns with the vessel of water and see you still floating around the area. And they kind of gesture with hands if you would like to come into the area where if you would them are.

1h 30m - 1h 60m

[01:30:20] And so you sort of follow him and he makes back to you the kind of bow that you made to him. And you follow him together. And he kind of walks in and announces you in some way in the read language.

[01:30:38] And as you look around, you see that there are about that four people there, they seem to be drinking something. And they’re just kind of mostly sort of lounging around sitting with one another. And as you come in, you kind of see one person sort of pass the baby from one person to the next.

[01:30:57] Who’s going to sort of, you know, it’s their turn to try and stop there, stop there, crying.

[01:31:02] Um, no other people that you see are hard to shake.

[01:31:07] Um, but they kind of talk, they kind of talk around you.

[01:31:15] Um,

[01:31:19] and I think that it’s clear as well that I think it’s clear as well that there is conversation happening about you.

[01:31:32] You’re also kind of invited to kind of come in and sit with them if you would like.

[01:31:39] And the moment you sit down, the baby is thrust into your eyes.

[01:31:46] About that.

[01:31:47] And you see the others kind of stretch their arms. They’ve clearly been at this for quite a while.

[01:31:55] They sort of continue to talk and talk.

[01:31:59] Do you make an effort to leave or you intend to, you have to just kind of stay there and enjoy.

[01:32:07] Yeah, I don’t.

[01:32:08] Yeah, I don’t want to seem like I’m sure you might do these.

[01:32:11]

[01:32:17] Is anyone making an effort to talk to me or trying to communicate with me?

[01:32:22] No, not at all. In fact, they are very content.

[01:32:27] Just talking to themselves.

[01:32:29] What’s the space like?

[01:32:31] Um,

[01:32:34] they have a fire.

[01:32:36] Yeah.

[01:32:38] They have a fire going.

[01:32:40] As I say, they’re passing around these bottles of drink, which you will also be invited to take from if you would like.

[01:32:47] As you kind of smell.

[01:32:49] They have a very kind of sweet, very kind of sweet flavor.

[01:32:53] It doesn’t strike you as.

[01:32:55] Alcohol exactly, but maybe something adjacent to it.

[01:33:00] Something.

[01:33:02] Something fruit based.

[01:33:05] And possibly fermented or similar.

[01:33:09] Similar.

[01:33:15] Um.

[01:33:17]

[01:33:19] Awesome.

[01:33:20] I will.

[01:33:24] Always have a drink.

[01:33:30] Sorry.

[01:33:31] I don’t feel the space.

[01:33:31] Like I can’t remember what you responded.

[01:33:34] Um, just that it was kind of.

[01:33:36] Yeah.

[01:33:37] Normally there is fire.

[01:33:38] And everyone is kind of lounging about that.

[01:33:40] There are like cushions and things.

[01:33:42] And it’s a fairly small sort of almost like a hot.

[01:33:46] It’s clearly a baby’s room.

[01:33:48] There is kind of.

[01:33:50] One slightly larger place to sleep, but it looks like it’s.

[01:33:54] Intermittently.

[01:33:54] And then more prominently.

[01:33:56] There are kind of structures that are.

[01:33:58] Baby specific.

[01:34:00]

[01:34:02] Furthermore.

[01:34:02] Or.

[01:34:04] Once you’re part taken of the drink.

[01:34:08] One of them reaches their arms.

[01:34:11] Out of their cloak towards you.

[01:34:13] And you can see once more, the kind of.

[01:34:16] Bands and chunks, the pieces of the hand.

[01:34:18] The.

[01:34:19] The floating sections in the bands that are missing.

[01:34:23] And they reach out to you.

[01:34:24] And as they.

[01:34:25] As they take your hand.

[01:34:27] They kind of poke and prod and all this sort of thing.

[01:34:30] They’re going to the baby.

[01:34:31] Or do I get the sense of they going to the baby?

[01:34:34] If you hold the baby out, they kind of go past the baby to your arms.

[01:34:39] And they kind of go to your.

[01:34:41] To your flesh and think sort of poke and prod of you.

[01:34:44] And then.

[01:34:46] They kind of start whispering to one another.

[01:34:49] And they start kind of, you know,

[01:34:51] looking a bit more closely at you.

[01:34:53] Kind of pulling at your skin and doing all of these things.

[01:34:57] And they kind of look deeply into your eyes.

[01:35:00] And you’ve seen their expression change slightly.

[01:35:03] And they kind of take the baby back out of your arms.

[01:35:07] And they open the door for you to leave.

[01:35:10] Oh.

[01:35:11] Hey.

[01:35:13] And I will leave.

[01:35:16] Thank you.

[01:35:20] As you leave.

[01:35:21] It’s like that.

[01:35:24] It’s just like okay.

[01:35:26] Okay.

[01:35:29] It really does bumble.

[01:35:31] That wasn’t a performing.

[01:35:34] Because it really finds out why he needs to leave.

[01:35:38] Bumbling.

[01:35:39] Bumbling.

[01:35:39] Bumbling.

[01:35:40] Bumbling.

[01:35:40]

[01:35:40]

[01:35:40] Bumbling.

[01:35:40] Bumbling.

[01:35:42] Bumbling.

[01:35:44] Bumbling.

[01:35:50] Bumbling.

[01:35:51] Bumbling.

[01:35:51]

[01:35:51]

[01:35:51]

[01:35:51]

[01:35:51]

[01:35:51]

[01:35:51]

[01:35:51]

[01:35:51]

[01:35:51]

[01:35:51]

[01:35:51]

[01:35:51]

[01:35:51] Do I feel threatened?

[01:35:52] Is it like a threatening world?

[01:35:54] It’s more like it’s more like they see something in you.

[01:35:59] When they look in your eyes.

[01:36:01] That drives them away.

[01:36:03] Thank you for your time.

[01:36:08] I won’t bumble out there.

[01:36:12] It’s the event to continue.

[01:36:16] As you as you as you bumble out somewhat further.

[01:36:23] Credit.

[01:36:24] Yes.

[01:36:26] You and Harold meet at the edge of the woods on the sterling belt as you kind of

[01:36:33] describe out the riverbed for any sense of this.

[01:36:39] Titans being peace.

[01:36:42] And you have found no.

[01:36:44] Any luck.

[01:36:47] Unfortunately not.

[01:36:52] No, she could no type.

[01:36:55] I was welcomed into a.

[01:37:09] I don’t know what it was about.

[01:37:16] I may have committed some for power without realizing it.

[01:37:21] So it would be good to know what traditional.

[01:37:32] Maybe because I didn’t bring a gift in.

[01:37:35] Perhaps.

[01:37:36] Perhaps did they give to you anything?

[01:37:38] Yeah.

[01:37:39] Was there wine?

[01:37:40] It was wine.

[01:37:41] Oh, I didn’t get a new wine.

[01:37:43] You have wine?

[01:37:44] No.

[01:37:45] Oh.

[01:37:49] All right.

[01:37:51] Well, that’s to be prepared for next time.

[01:37:53] Yes, we bring wine.

[01:37:54] We bring wine.

[01:37:54] We bring wine.

[01:37:55] I know ironically these are the scenes that I wish were in more shows and books.

[01:38:01] It was the convinced me a group travels together.

[01:38:04] I needed the fellowship of the ring at some point to go like,

[01:38:07] did I do something wrong?

[01:38:08] Yes, that’s great.

[01:38:12] You got Harold and granted the social master.

[01:38:17] I’d figure out what Paul was.

[01:38:20] He was a great and famously invisible essentially and Harold.

[01:38:25] Who long ago stopped giving a shit?

[01:38:28] I just started learning as we go.

[01:38:33] If I were to shake away what I’d be.

[01:38:36] Well, I would say not the throwing room,

[01:38:38] although the ground of the throwing does seem to be permeable.

[01:38:45] Interesting.

[01:38:45] I’ve never had a turn in being described as permeable.

[01:38:49] I would not describe on this one,

[01:38:51] such before no.

[01:38:53] Interesting.

[01:38:54] What the heart.

[01:38:56] Interesting.

[01:38:57] But no cheating.

[01:38:58] Interesting.

[01:39:00] So other than the throwing room,

[01:39:01] you know, we had the place we saw him was at the entrance to.

[01:39:06] Um, the garden.

[01:39:08] Where are we?

[01:39:09] Right just gross.

[01:39:12] The group.

[01:39:17] You did not come in.

[01:39:22] We saw him after we met the firm.

[01:39:27] Yet he is in the bird.

[01:39:28] Well, he was in the bird.

[01:39:31] I very much assumed that he would seek us out.

[01:39:36] He was also there in the third room.

[01:39:39] Oh, I see the day.

[01:39:43] Uh, you all goes on.

[01:39:45] That’s it.

[01:39:47] I’m not even sure if it was worth it.

[01:39:48] But I can really try. On the rabbit talk. Yes, I can really check. You can see him dancing at the moment. He didn’t see him dancing at the moment. He’s still there. Specifically not at all parties. Yeah. Nothing in the fire. I would hope so. With the in the fire, not the genre I think. How big is this Rover? It’s a very small country and a very large city. How does that mean? Actually it feels like a small city. Like the Vatican. That’s a very large city, you all right?

[01:40:19] It’s a very small conversation.

[01:40:21] Yeah, no.

[01:40:22] Like the one I said implied that I didn’t mean the other one, the nice one.

[01:40:27] This is actually getting very Vatican vibes.

[01:40:30] I’ve had the thought, oh I mean most city states will and unfortunately this one happens to be ruled by an angel.

[01:40:36] We go down to a certain park.

[01:40:41] And much like the Vatican is incredibly corrupt.

[01:40:44] I wonder how everyone is going.

[01:40:48] That’s right.

[01:40:51] That’s right.

[01:40:55] That’s for all this not particularly close to here always.

[01:40:59] Uh, actually we should be convened of safe.

[01:41:05] If it becomes suspicious, we’ll go going from the gathering.

[01:41:12] Let’s check the tent.

[01:41:14] And if he’s not there.

[01:41:15] Back to the cat.

[01:41:21] Let’s go.

[01:41:22] What tent.

[01:41:25] The last end.

[01:41:30] Not to be that guy again, but.

[01:41:33] Okay.

[01:41:33]

[01:41:33] But, uh, if if the role shared, uh, in detail where it was, I don’t know if you’d attempt to find it.

[01:41:41] I probably wouldn’t have shared.

[01:41:43] The general direction you would have seen.

[01:41:45] Yeah.

[01:41:45] You could absolutely get a sense of general direction.

[01:41:50] Or we pick a way that we haven’t been on the way back to the party and.

[01:41:56] And do that and cover small ground.

[01:41:58] Let’s do that.

[01:42:00] So you want to kind of, um, sorry, what, what is it?

[01:42:03] Take a big line back.

[01:42:05] Yeah, so like, which, which ever ways we have gone to then reconvene here, we go a different way.

[01:42:12] Cool.

[01:42:14] Yeah, fair enough.

[01:42:16] So having sort of calm.

[01:42:21] Yeah, and keep using it for time spent.

[01:42:25] Yes.

[01:42:26] Yeah.

[01:42:26] Okay.

[01:42:27] I suppose I could use it for.

[01:42:30] To sheep.

[01:42:31] Not a child.

[01:42:32] Yeah.

[01:42:33] Right.

[01:42:34] Do that.

[01:42:36] Fine.

[01:42:37] I switched to.

[01:42:39] Okay.

[01:42:40] No, no.

[01:42:42] Do you, do you mean to shake out?

[01:42:45] I respoon rise myself and you.

[01:42:48] Know the wrong things.

[01:42:50] Are you trying to?

[01:42:51] Yeah, yeah.

[01:42:52] Yeah, but you end up saying the right thing.

[01:42:54] But in this case, it was the wrong person.

[01:42:56]

[01:42:57] Double corrected.

[01:42:59]

[01:42:59] Back to the double thing.

[01:43:00] Correct.

[01:43:03] To correct.

[01:43:04] Don’t make it incorrect.

[01:43:07] I’m going to have an aneurysm.

[01:43:08] It will be welcomed at this point.

[01:43:10] I think I’m going to wait through one.

[01:43:12] You say to sheep.

[01:43:15] And peer through the lens and kind of.

[01:43:17] I’m going to sweep it along in this kind of sense.

[01:43:22] Um, and you see for the lens.

[01:43:24] A figure of person.

[01:43:27] Highlighted.

[01:43:28] Um, they are trying to fairly far away from me.

[01:43:32] Um.

[01:43:34] And they appear.

[01:43:36] Here to be arguing with someone.

[01:43:40] Do they look like they might be in the dancing area.

[01:43:42] Yeah.

[01:43:43] Biglet.

[01:43:43] No.

[01:43:45] No, probably like between you and the dancing area,

[01:43:48] which only you both in the dancing area.

[01:43:50] But they don’t appear to be within it.

[01:43:52] They appear to be somewhat closer to that.

[01:43:55] I express what I see.

[01:43:57]

[01:43:59] Should we.

[01:44:01] We should find out.

[01:44:02] Yes, there’s a bridge, but not make ourselves known.

[01:44:05] Perhaps to she gives.

[01:44:07] Still.

[01:44:10] Let’s go.

[01:44:11] Can you both please roll styles to me?

[01:44:14] Can I only go as far.

[01:44:18] As I could be that need your whole self and then let.

[01:44:23] Granite do the self pot.

[01:44:25] That’s fine.

[01:44:25]

[01:44:36] I want to take note of whatever it is that hiding.

[01:44:39] Yeah.

[01:44:39]

[01:44:40] You’ve got a good sense of that.

[01:44:42] Um, also throw where are you?

[01:44:45] My intent would have been to fly back.

[01:44:47] Still staying away from the crowd,

[01:44:49] because I think my illusion still dancing about.

[01:44:51] I don’t use that.

[01:44:52] That’s for real.

[01:44:53] And go back to basically where I left to the two of those.

[01:44:56] Yeah.

[01:44:57] But for the area.

[01:44:58] And if I don’t see them,

[01:44:59] I’m actually going to head to the throwing.

[01:45:01] Where you left these two.

[01:45:03] Is that weird?

[01:45:04] The first one is where I left those two.

[01:45:06] Yeah.

[01:45:06] And if I don’t see them, then the throwing.

[01:45:07] I don’t think that’s.

[01:45:09] Then yes, you won’t see them.

[01:45:10] You will continue to throw.

[01:45:13] How did you do?

[01:45:14] I built me.

[01:45:15] Got you fine.

[01:45:17] Natural plenty.

[01:45:19] Nice.

[01:45:19] Okay, fantastic.

[01:45:21] How really good.

[01:45:23] So.

[01:45:24] Okay.

[01:45:33] Yeah.

[01:45:36] That’s very resigned.

[01:45:38] No.

[01:45:39] Yeah.

[01:45:40] Trust me.

[01:45:41] I played cleave.

[01:45:42] I’m not allowed to get upset at high self-scores.

[01:45:46] Right.

[01:45:48] I’m the OG of rolling above 30.

[01:45:51] Okay.

[01:45:51] That’s my shit.

[01:45:55] The only times I’ve ever rolled above 30,

[01:45:57] it’s been damaged.

[01:46:00] Is that true?

[01:46:01]

[01:46:01] I guess playing characters don’t have expertise.

[01:46:05] And actually, I have gotten over it with,

[01:46:08] I’ll kind of with sequels.

[01:46:10] Yeah.

[01:46:10] Yeah.

[01:46:19] Yeah.

[01:46:21]

[01:46:23]

[01:46:24] Yeah.

[01:46:25] Yeah.

[01:46:25]

[01:46:26]

[01:46:26] Yeah.

[01:46:26] Yeah.

[01:46:28] Yeah.

[01:46:28] So crazy.

[01:46:29] Yeah.

[01:46:30] Ryzen.

[01:46:30] Ryzen, thank you.

[01:46:31] Couldn’t give us silence.

[01:46:32] Ryzen’s got legs for days.

[01:46:34] It’s got some legs.

[01:46:37] Yeah.

[01:46:38] All right, like.

[01:46:38] Yeah.

[01:46:39] Yeah.

[01:46:40] Yeah.

[01:46:41] I fucked up a hand.

[01:46:42] I don’t want to fix it, actually.

[01:46:44] I’ll do it another time.

[01:46:44] And I study hands for another three weeks.

[01:46:47] Ah.

[01:46:48] Hands off.

[01:46:49] Do you want to see sexy Ryzen, Adrian?

[01:46:57] All right.

[01:46:58] Now, what does it look like without the ropes?

[01:47:04] I’ll give you the questions.

[01:47:05] Where?

[01:47:05] That’ll be the sequel.

[01:47:07]

[01:47:08] We have to pay for better access to that one.

[01:47:11] That’s why I haven’t drawn his feet yet.

[01:47:14]

[01:47:19] God, you reckon he has long hair or no?

[01:47:22] Oh, yeah, right.

[01:47:24] Hair has been wielding.

[01:47:31] That was tough.

[01:47:32] Can Adrian?

[01:47:33] I think long, but exceptionally clean hair.

[01:47:36] Because I’m like, they like to cover themselves.

[01:47:39] And they’re obsessed with cleanliness.

[01:47:41] I reckon he’s got the most well-maintained long straight hair.

[01:47:48] Okay.

[01:47:49] Elven-esque.

[01:47:51] Do you agree?

[01:47:52] I don’t know.

[01:47:53] I think so.

[01:47:54] I’m just think of the rubber band.

[01:47:56] So, yeah.

[01:47:57] What’s that?

[01:48:00] I’ve been trying to think of how,

[01:48:03] like, uncombid his face, his hair pushed back.

[01:48:08] Doesn’t care about it.

[01:48:12] Yeah.

[01:48:13] Or is it just like naturally slick back type thing?

[01:48:17] And is the hair part of their body to be burned away to these gods?

[01:48:21] And although he wouldn’t be doing any of the burning theoretically, what was that?

[01:48:29] Let’s just try to think.

[01:48:31] If they burn away their hair as well as their body as part of their sacrifice to the gods,

[01:48:37] but then I was rising also, probably wouldn’t be making sacrifices himself.

[01:48:42] Yeah, I suspect.

[01:48:44] Because yeah, we were, well, I don’t remember hearing as part of his description

[01:48:48] that he was missing parts of his body.

[01:48:50] And he must be older than 48, which is what the eldest is.

[01:48:53] Yeah.

[01:48:54] So I think he’s also a solar.

[01:48:56] He doesn’t need the power that was given by the gods.

[01:48:59] He’s kind of halfway there.

[01:49:00] Wow.

[01:49:04] I’ll try it, I’ll try it draping long, long straightened draping.

[01:49:10] We’ll see how it goes.

[01:49:14] You should have similar hair coming from his knuckles.

[01:49:19] That’s terrible.

[01:49:20] That’s the worst thing you’ve ever said.

[01:49:22] What would you do this to me?

[01:49:24] It’s the worst thing I’ve said that you’ve heard.

[01:49:28] You’re right.

[01:49:34] Oh, you don’t.

[01:49:34] I’m really liking it.

[01:49:35] Knuckles?

[01:49:36] No, not even a little bit.

[01:49:37] I’m not ever trying that.

[01:49:39] Keep that kid out of your mouth.

[01:49:41] I’m not a market Christian.

[01:49:42] I’m not a market Christian.

[01:50:02] Adrian, are you a Souls-like person? No. Well, that was easy. Yeah. I’m terrible at that. I really like very difficult games,

[01:50:13] I just find the Souls-like to be a bit too close to the Monster Hunter in terms of how you interact with the world. I suspect I would like Hollow Knight. I just don’t like the traditional 3D ones. Oh, yeah. I consider that one a Metroidvania.

[01:50:32] Oh, sorry. I guess I did upload it. Yeah. Wasn’t Hollow Knight an Iron Pineapple’s list when he was doing his Souls-like reviews? Well, technically, yes. He’s had some, like, it’s a running joke that the things he’s taken, I don’t know longer, like, Souls-like’s.

[01:50:52] Like, the game with the best boss fight I’ve ever seen of one fish. It’s a game where, mechanically, you attack by walking into things. There might have been a dodge concept. There’s no concept of bonfires or that kind of XP-leveling. It is absolutely not a Souls-like in any way, but it’s like, he’ll do things like, you know, it’s dark fantasy or he’ll go, it’s got a dodge button and that sort of is quite fun. Okay.

[01:51:22] Well, but there are definitely Souls-like stuff in Hollow Knight, like the XP that you drop when you’re there.

[01:51:29] I guess we’ll find a bastard of finding characteristic of the Souls-like.

[01:51:33] Yeah, it really depends on just your 25s, everybody’s for Cindy.

[01:51:37] Just a point when you both still have your clothes on, but whatever.

[01:51:45] You should have swapped clothes while you’re in there.

[01:51:58] Okay, hang on, let me think. Stop pushing him, guys. Stop brushing me.

[01:52:08] One of my favorite jokes is when I have to think really hard about something and someone’s like, all right, now don’t hurt yourself.

[01:52:14] I’m like, if I could get a bleed nose on, nose bleed on command, I’d be so funny in those moments.

[01:52:22] They’re like, don’t hurt yourself, and I guess.

[01:52:27] I can tell everyone’s tired because no one made fun of me for saying bleed nose.

[01:52:34] And I even had a thorn.

[01:52:43]

[01:52:57] Ryzen doesn’t, and I know he looked like he’s also decaying, does he?

[01:53:01] How long has Ryzen’s hair been more important to us?

[01:53:06] I think he that’s more important.

[01:53:09] Ryzen’s body does not appear to be, he is not missing parts of his body in the way that the

[01:53:17] breathe are, but the second question was, how long is his hair?

[01:53:33] It’s, it’s, it’s, his hair is like, it’s a bit longer than mine.

[01:53:41] It’s either, wait, what do you say?

[01:53:44] It’s a bit longer than mine.

[01:53:44] Obviously, specifically we were wrong.

[01:53:48] It’s kind of long and flowing, but it also kind of has the typical like parts of it kind of

[01:53:54] out. It flows kind of yeah behind him as if kind of submerged.

[01:53:59] Yeah, yeah, and how long has the hair on his knuckles?

[01:54:03] That was the second question we had.

[01:54:05] That’s pretty funny.

[01:54:06] I’m going to say, I’m ignoring everything you’re about to say, from how he’s from how the light

[01:54:11] kind of shines from his body and how kind of difficult it is to lay your eyes upon a solar,

[01:54:19] it is difficult to say.

[01:54:21] It could not be said necessarily that he has any hair on his own.

[01:54:25] That is such a non-committal answer.

[01:54:26] And say a lot for that.

[01:54:27] Could it possibly be the same length as his head here?

[01:54:32] I think if it was, you would notice.

[01:54:34] So I’m going to say no.

[01:54:35] Well, that’s surely redeeming for you then, Dan.

[01:54:39] A little bit, yes.

[01:54:41] Can I just, I’m going to add hair on your knuckles to the veils, please?

[01:54:49] You’re allowed to have them.

[01:54:50] I just don’t want to hear them.

[01:54:52] Hey, it wants to go into any great detail about that.

[01:54:56] That’s got to be something very rewarding.

[01:54:59] Say something so horrible that it gets added to the veils.

[01:55:02] I’m claiming my wind.

[01:55:06] Oh, pat myself on the back.

[01:55:08] I did it.

[01:55:08] I found somebody’s limit.

[01:55:12] I always knew I’d have my name in writing someday.

[01:55:15] I just didn’t think it would be signed on the Geneva Convention.

[01:55:20] I want to send a message with the sending send.

[01:55:26] You receive the following remind.

[01:55:31] To seek plans to end rising tonight.

[01:55:35] He has an unknown compass.

[01:55:41] Should we advance and join him?

[01:55:49] I press the risk and not engage in the conversation very much.

[01:55:53] I wait, I want to let, yeah, I want to give Sue a moment first.

[01:55:58]

[01:56:11] Sendings hard.

[01:56:31] And I runically, if I could pick one level 3 spell for a character to have, it’s probably

[01:56:37] sending. Fuck lightning bolt and fireball, like all the best, actual like level 3 spells,

[01:56:42] and extending is such a cool ability to have. And as the character who’s always like,

[01:56:47] as the person who loves playing support, it’s such a helpful thing for me to be able to go.

[01:56:51] Everyone always wants it. Everyone always wants it.

[01:56:57] Do you have a better sending as D&D’s healing please?

[01:57:03] Yeah, it’s sending in featherfall is like, when you need it, it’s so good to have it.

[01:57:07] Yes, featherfall is that one. If it’ll come up twice in the campaign, both times would have been

[01:57:11] a player death. I remember in the first campaign you did for us, you gave me a bunch of spells,

[01:57:21] over news descriptions. Yes, one which was we were up against what was the creature.

[01:57:29] I remember. No, I don’t know. I think it was a minute tour.

[01:57:35] And there was this point where what I wanted to do is I wanted to attack it with something

[01:57:39] and so I used one of the spells, which I then very quickly band out with Tense’s blood and

[01:57:43] disc. Oh, yes, all this against the troll. This is one of the most creative kills I’ve seen.

[01:57:49] Yeah, we were, I’ll be so quick, we were in a clouding, thinking about their things,

[01:57:53] literally a castle in the clouds ruled by the sleeping cloud giant,

[01:57:59] but yeah, basically a troll appeared, which you would know all the stats for at this point.

[01:58:04] And so yes, you summon Tense’s floating disc, do you remember what happens next?

[01:58:08] Well, because I realized it wasn’t an offensive thing, I just used it to

[01:58:14] push down on top. Now, I’m pretty sure that Dan, you had built out this encounter very nicely,

[01:58:21] so that if we had a team came to get the, and so everyone fucked off.

[01:58:31] And that’s the wizard to deal with it. That tells us the story in a bit of tangent.

[01:58:36] Can you draw the child out of a way without the accomplice noticing you?

[01:58:52] Yeah, that’s not a typing teacher.

[01:58:57] Wait, are you asking me a question with, it’s more of like a,

[01:59:10] because I don’t think I can respond to that. No, well, I don’t want you to respond,

[01:59:16] I want you to do it.

[01:59:26] A question.

[01:59:28] Well, stop, not question mark.

[01:59:35] Sorry, I phased out what did you tell him to do?

[01:59:38] Shake away without drawing the attention of the accomplice. With that in mind, I believe the impression I was getting was that the accomplice was just about to walk away. And so I want to let him do that. And then, see if I can get to fix attention.

2h 00m - 2h 30m

[02:00:09] How would you like to get his attention subtly or in the open? Uh, subtly. Ready for him to flinch an attack. Do you want to like make a bird call and like see if you can get him to look.

[02:00:23] Conquer. This one’s thought fires enough. Flust.

[02:00:32] I want to keep pace and walk towards, um, coming up close and then quietly say his name. Uh, and as, as you approach to cheek.

[02:00:51] That’s the cleave special. Is that what you want to do? Yes. How many hit point? No.

[02:00:59] No. Um, the dinosaur.

[02:01:06] See. Um, as you approach to cheek is troubled. They are lost in thought.

[02:01:16] Um, and as you, as you kind of whisper over their shoulder, you see them like flinch and then they, they kind of turn and see you and they go, uh, they kind of look around very much, uh, they kind of look to you.

[02:01:34] Um, I want to say, I believe that you and I may have a life call.

[02:01:43] I see. Um, forgive me. My, uh, my mind is a whirlwind. Um, I’d also like to flag howl down.

[02:01:57] Can I see them?

[02:02:02] Oh, he’s good. Um, um, uh,

[02:02:12] uh, friends, we haven’t much time.

[02:02:22] There are so many things that I wish I could tell you. Um, my mind is a race.

[02:02:30] If there were one thing you were to know, what would it be?

[02:02:37] There is the piece of time.

[02:02:43] Sorry. What was the question? I didn’t hear it.

[02:02:49] Where is the piece of the titan’s been set? Uh-huh.

[02:02:56] The titan’s been more.

[02:02:59] Oh, fuck. But not to be sure it wasn’t the ex.

[02:03:05] Lies.

[02:03:08] Deep underground beneath the throne.

[02:03:13] And it.

[02:03:16] Ryzen is not aware of its presence.

[02:03:19] And will not miss it if it were to.

[02:03:26] How can we enter that space?

[02:03:32] If I were to recommend one way or the other, I would say that he should not.

[02:03:36] Or if you do be prepared, uh, great many things lie beneath the surface.

[02:03:43] I’m sorry, I must have.

[02:03:46] I can’t help you.

[02:04:02] Either.

[02:04:07] Follow the talents and see where they lead me.

[02:04:19] Follow the talents and see where they lead me.

[02:04:25] Follow the talents and see where they lead me.

[02:04:26] Nice. That is his hair.

[02:04:28] From his knuckles.

[02:04:32] This is the line now.

[02:04:39] Stretcher jam.

[02:04:44] Where’s my ex?

[02:04:47] Yes, either.

[02:04:49] Follow the talents and see where they lead.

[02:04:51] Or.

[02:04:55] Should all fall to chaos tonight.

[02:05:01] I’m sure you escape real lives.

[02:05:03] I’m sure you escape real lives.

[02:05:09] Well, it’s kind of planning on both of us.

[02:05:19] We should have us.

[02:05:20]

[02:05:23] Why.

[02:05:24] I’ll keep rising.

[02:05:27] Just accept away.

[02:05:30] Um.

[02:05:32] Um.

[02:05:33] How many times can I use this lens?

[02:05:36] The lens are you haven’t found a little bit, but they may well be one.

[02:05:41] Uh, does there appear to be anywhere or degradation in it physically or magically.

[02:05:45] Or maybe like a drop.

[02:05:46] You could make an icon a check.

[02:05:50] Well, you know, make one of the Zeke just out of curiosity.

[02:05:54] Uh, babies up. I’ll be back in a second.

[02:06:01] Zeke already knows.

[02:06:05] Zeke’s been here the whole time.

[02:06:09] Uh, it seems that there is.

[02:06:12] A little.

[02:06:17] Close to limit.

[02:06:19] But it’s also not clear that charges.

[02:06:24] Finish.

[02:06:26] It may reach its natural end, but also this is something that was simply made by.

[02:06:32] Um.

[02:06:35] While it.

[02:06:37] And could potentially make more should be required.

[02:06:41] Right.

[02:07:00] We go behind the little one.

[02:07:05] Well, that’s about it.

[02:07:10] Are you talking about the ones that I don’t know if I should know this one.

[02:07:13] I forgot about this one.

[02:07:14] Yeah.

[02:07:15] I thought you were talking about these two.

[02:07:20] By a lot to acknowledge them right now.

[02:07:26] Yes, we should find them.

[02:07:28] Yes.

[02:07:28] Yes.

[02:07:31] How was the people?

[02:07:34] Did it?

[02:07:37] Um,

[02:07:38] it’s not right.

[02:07:40] Let’s go find the old.

[02:07:41] Make sure I’m not getting into any mystery.

[02:07:43] You know where.

[02:07:46] Rhymen road and are.

[02:07:49] Yes, right.

[02:07:50] Run.

[02:07:50] But it was rhymen road.

[02:07:53] Just to make it.

[02:07:57] Yeah.

[02:07:57] It’s not off on the screen.

[02:07:58]

[02:07:59] Hi.

[02:08:01] So what’s the plan to find control?

[02:08:04] Well, maybe we head back to where do you know they have the soccer connect going on?

[02:08:09] I think you.

[02:08:10] Yeah.

[02:08:11] Yeah.

[02:08:11] I think so.

[02:08:12] Okay.

[02:08:12] Let’s go back and find.

[02:08:15] Right.

[02:08:16] Right.

[02:08:17] Right.

[02:08:17] Back.

[02:08:20] That was sarcastic.

[02:08:24] So it is Ronan corporeally.

[02:08:26] And it’s going to stay Ronan for as long as we are in reef.

[02:08:29] Um, and then the manifested one was rhymen, but he’s now ready.

[02:08:34] Okay.

[02:08:35] Let’s go find the war board man.

[02:08:39] That’s incredible.

[02:08:40] Is anything.

[02:08:46] Okay.

[02:08:47] Okay.

[02:08:47] Okay.

[02:08:47] Okay.

[02:08:48]

[02:08:48]

[02:08:50] Where did the knuckles then come from?

[02:08:53] Yeah.

[02:08:53] What was the conversation about this?

[02:08:55]

[02:08:59] Are you talking the sheeting really?

[02:09:01] Yes, correct.

[02:09:02] More or less have all the context.

[02:09:04] Yeah.

[02:09:04] Okay.

[02:09:04] It was suddenly posed as a question that distressed.

[02:09:09] Okay.

[02:09:12] Okay.

[02:09:14] Ronan, you while you are dancing.

[02:09:17] See our granite and Harold kind of appear at the edge of the tree line.

[02:09:22] Are they sort of catch your vision from the shadows?

[02:09:29] Hmm.

[02:09:32] Extricating myself off to making such a big deal of things might be challenging.

[02:09:38] Hmm. Well, what’s currently happening around? Is the dancing still happening full force? Don’t you think? You’re still happening full force. I’m going to start dancing so that I’m less conspicuous. Dancing in the shadows. Dancing in the shadows. I might… I’m going to cast a spell. Mirror image.

[02:10:08] So that I can have all the other echoes kind of dancing in step with Ronin, including Ren, so Ren kind of joins that posse so that Rime can spawn and go join the others. Cool.

[02:10:31] So I don’t know.

[02:10:40] You didn’t saft this one. I’ve been only afraid of the unveilings of this version. But what version? The unveilings of this version of us.

[02:10:48] I think they’re versions. I would make that a little bit more.

[02:10:55] Amazing. I saw the most amazing TikTok today of someone was like, you know, what’s on your mind for an improv thing? And they go Lego. And the first thing goes, oh, okay, and turns to Frank with Lee and goes, are you a Lego person? And he goes, oh, like not really.

[02:11:15] And it was just it was instant and it was perfect and it was just unbelievable. Yeah, that’s so good.

[02:11:36] So you guys have Rime kind of appear at your side, also kind of hosted by the shadows.

[02:11:46] So, I believe you have a ways of contacting through all I would suggest that I might be pertinent to getting back to you now so we can have a little te party.

[02:11:58] Okay, throw all the gangs back together.

[02:12:05] We’re going to come join us.

[02:12:11] Before long for all the join as well.

[02:12:16] Maybe we should take this conversation a little further away. Maybe a little closer to the wall starts hovering in that direction. Still looking at you also someone’s telling our tip.

[02:12:30] I’d like to make a stealth check.

[02:12:33] Float away.

[02:12:37] Do we all still?

[02:12:41] Yeah, that’s all role stealth.

[02:12:45] You’re going to regret that.

[02:12:47] May I take disadvantage because of the floating?

[02:12:52] Unfortunately, though floating conspicuously, you are coming from a place of being like like no one knows to look in the direction.

[02:13:02] Yeah, unless you suppose that you are rustling through the trees, rather loudly as you travel.

[02:13:06] It’s fine.

[02:13:07] Oh, go on.

[02:13:12] With a plus five.

[02:13:13] Yes, eight.

[02:13:15] Again, yes, three eights this session for me.

[02:13:20] 34.

[02:13:23] If you have a adjustment, my pass.

[02:13:27] That’s accurate.

[02:13:27] That’s Kevin.

[02:13:29] Yeah, that’s how I’ll get caught.

[02:13:35] And.

[02:13:37] And so Ryan can travel quite far away on their own, can’t they?

[02:13:41] No, they cannot.

[02:13:42] No, so I was thinking I wouldn’t join you.

[02:13:44] I’m just hoping you keep me in the loop, tell about that.

[02:13:46] Okay.

[02:13:52] So you all find yourself also far enough away that you can talk.

[02:13:55] If yours want to let me know that we shall probably be departing shortly.

[02:14:00] Probably be departing shortly.

[02:14:03] In your head.

[02:14:12] So that is communicated to you, Adrian.

[02:14:15] Well, that just means that Ryan will stay near the outskirts of the party while Ronan handles the dancing so he can quickly take control and run if he needs to.

[02:14:24] So what’s happening?

[02:14:29] I believe others are going to be taking down Ryzen tonight.

[02:14:35] He’s excellent.

[02:14:36] And we need Titan’s main role is.

[02:14:40] And it’s not a great axe.

[02:14:45] Yeah.

[02:14:47] That’s.

[02:14:51] Great. How do we help?

[02:14:54] Can you go through goals?

[02:14:58] Slowly.

[02:15:01] Without headbuffing it.

[02:15:03] Let me check.

[02:15:05] I’m just matching slowly.

[02:15:08] It would be a bit of hits.

[02:15:09] I just let it press against it till either the wall falls through or either.

[02:15:14] I don’t know.

[02:15:15] I don’t know.

[02:15:17] I mean, when did we actually see that first track door?

[02:15:22] Sorry, that first entrance, working saw through the ground.

[02:15:25] When you first arrived and went to speak with Ryzen.

[02:15:29] Yes, outside as you were leaving, you kind of saw the bar end of the vision that you had seen that ended in a tunnel and then saw on the other side the place where the flowers kind of cover.

[02:15:41] Well, what you suspected the tunnel to be.

[02:15:44] And that is when.

[02:15:45] Oh, well, I think.

[02:15:49] Probably the entrance.

[02:15:50] I think we, we investigate that area.

[02:15:54] Let’s do that.

[02:15:58] I made another joke.

[02:16:00] I felt like it was mean to you.

[02:16:03] I said it.

[02:16:05] Let us be funny.

[02:16:06] I don’t know.

[02:16:09] I did.

[02:16:09] I didn’t.

[02:16:14] I mean,

[02:16:17] is Zune here or not?

[02:16:22] Like kind of like Zune.

[02:16:25] Zune has always been with you.

[02:16:27] Now.

[02:16:30] If we get a permission from Zune, can we get him to Mulder?

[02:16:36] I’m happy for it to be a retroactive like.

[02:16:39] If, if, if, in fact, we can probably literally message them and say, hey, we want to speak into a tunnel.

[02:16:45] Can you Mulder?

[02:16:50] I’m also happy to say so kind of over the course of this deliberation.

[02:16:54] We, you can make your way to the throne room.

[02:16:58] You can’t, it doesn’t matter what I do.

[02:16:59] You have to remind yourself there’s no escaping this prison.

[02:17:07] So you make your, you find your way there.

[02:17:13] You find the kind of bundle of flowers.

[02:17:18] You borrow your way to the dirt below and borrow ever so slightly more.

[02:17:22] Just enough that you can see a kind of single ray of light shining down into the cabin beneath.

[02:17:30] You can see that kind of dangling vine like root lies there and lies completely still.

[02:17:40] I thought I heard everything you said, but remind me of this root.

[02:17:44] This was the root that you watched as you kind of look through to be blowing.

[02:17:48] Is it current?

[02:17:50] No, it is lying perfectly still.

[02:17:53] Right, seems to be gone.

[02:18:00] Also, before we actually do the Mulder thing or the digging thing.

[02:18:08] In relation to what’s going on with Ryzen.

[02:18:11] Given that we are affiliated with Helios, it might be best if we are not seen to be involved with taking Ryzen out.

[02:18:26] Well, that could be more of a reason to be involved with that, right?

[02:18:30] Or is that something that Helios wouldn’t approve of?

[02:18:34] It’s not that he wouldn’t approve of it.

[02:18:36] I think it’s more of a political stance that if we want to unite Miltor taking out the leaders to do that.

[02:18:52] I don’t think it’s a stance that’s going to unite people.

[02:18:56] Isn’t history.

[02:18:59] History is written by the victors, though.

[02:19:01] So this will look like over throwing a tyrannical government.

[02:19:03] And we’re the good guys that saved them from the tyrant if we win.

[02:19:07] And to be fair, we’re trying to take over.

[02:19:10] This one’s the, this one, the cult leader.

[02:19:12] And another one is peasant.

[02:19:15] So we’re going to have to kill a little leader.

[02:19:18] That one’s actually going to be really interesting because no one else knows his peasant.

[02:19:21] Yes.

[02:19:22] We’re also going to have to unmask.

[02:19:23] Yeah.

[02:19:24] If we are mask him and then kill him, that’s a different thing.

[02:19:26] He’s not actually the ruler.

[02:19:28] He is standing here as well.

[02:19:29] Well, if we kill.

[02:19:32] Eisen then there.

[02:19:33] People can come forward with the truth.

[02:19:35] It’s worth noting not many might, because it’s sort of, as mentioned, cult-esque. And from what I don’t know about cults, I don’t think they’re going to say too much against him even after he dies. Flip side. He’s evil and we should kill him. And if we don’t help, they might not succeed. Did you tell us about your conversation with Charles? Charles? Charles? I haven’t. Oh, I met one person who hates him and would be a… I don’t want to put words in their mouth. What if we ask her?

[02:20:07] Where is she? I kind of have, but she resorted to her as what I asked if she’d be okay with me murdering Ryzen. Which they seemed like affirmations, but also, I don’t want to put words in her mouth. Oh, she’s in my lantern. I kidnapped her. Drew kidnapped her? That’s not exactly going to make her fall coming with one to help us. No, she was fine. Now, when you say kidnapped, was she consenting? Yeah. Okay, that’s not cute. Oh, sorry.

[02:20:43] Well, yeah, she seems okay with it, but also, he’s really, really evil and if we don’t help, he might not die. Also, he wants to put the greatest thing to have a live in a box. I’m not saying this is a good man. I’m just saying, if we want to unite Milton, I’m going to kill him.

[02:21:04] How do we best help this? Should we go find this axe? And then… Use it to kill him.

[02:21:14] Or for our services, if it feels like, if there’s so much, it’s going to be a… What’s that thing Pigeon’s saying?

[02:21:50] Then I think…

[02:21:58] That’s amazing.

[02:22:01] There’s already… What’s that thing Pigeon’s saying?

[02:22:05] Yeah, who?

[02:22:08] Everything’s funny, you’re in Charles’ voice.

[02:22:10] I think we need to make sure that it is known that this is the decision of the reef people and we are supporting them.

[02:22:20] That this is not a plan that Helios has an action that has planned and that we are enacting on his behalf.

[02:22:27] I just think that that’s important to…

[02:22:31] Yeah, I actually think this is a really good point. Perhaps… Perhaps we can offer someone else’s name of like, it’s in their name instead, like a different potential future ruler of Milton.

[02:22:41] This is a subtle matter of reference, if anything.

[02:22:52] Just make it known that we stand behind the reef people and their choices.

[02:23:00] We want to save them if you want to hurt any of them.

[02:23:04] When what’s the space to seek and the unknown accomplice when they were talking they had a word that would start the festivities and appropriately it was.

[02:23:18] Not yet, not yet.

[02:23:20] I think it’s worth them, says it right?

[02:23:24]

[02:23:25] Or should we try and get this at small quickly so that we can leave as soon as things are resolved?

[02:23:38] Let’s do it.

[02:23:40] We were told that it could be quite dangerous on there.

[02:23:45] Who should do this?

[02:23:47] Let’s go!

[02:23:51] He’s like following after you and trying to walk back.

[02:23:56] That’s how he lies and so he can have found his instincts to run away.

[02:23:59] And we’re all always like grabbing onto trees and using his own flight tools.

[02:24:04] I get the image of a dog on tiles trying to break.

[02:24:12] Incredible.

[02:24:14] Okay.

[02:24:16] You all make.

[02:24:18] So sorry, is the plan to go into the captain?

[02:24:21] Yeah.

[02:24:22] That’s awesome.

[02:24:23] I’m going to get it out of the way.

[02:24:25] I have a very good dive vision.

[02:24:27] Thank you.

[02:24:28] Superior.

[02:24:28] Some might say.

[02:24:29] Some might.

[02:24:30] Would you?

[02:24:31]

[02:24:32] I would.

[02:24:35] What order do you all go down into the cabins?

[02:24:39] I’ll actually probably go first.

[02:24:41] Just because I think I’m the only one of us with duck vision.

[02:24:45] Because I think we’ve got duck vision, normal vision and bad vision.

[02:24:49] I do canonically wear glasses.

[02:24:52] Yeah, it’s true.

[02:24:53] He’s made.

[02:24:54] So do you have duck vision?

[02:24:55] I do not.

[02:24:56] And I’m also not here with us.

[02:24:58] No.

[02:24:59] I.

[02:25:00] Yeah.

[02:25:01] I will to me treat him.

[02:25:04] I.

[02:25:06] Attempt to extricate myself in some way.

[02:25:09] Like maybe a law in the celebrations or something.

[02:25:12] My magic wears off and I signal or tell everyone that I’m going to need a break.

[02:25:19] Absolutely.

[02:25:20] After a long period of bigger as dancing, I think it would be very reasonable to not only excuse yourself from the dance,

[02:25:26] but also to go and find a seat kind of a little ways away from the fire more towards the.

[02:25:31] The edge and simply kind of watch on.

[02:25:36] You are quite a distance away from.

[02:25:41] So sorry.

[02:25:43] Yeah, I’ll sit on the stool and then slowly Ronan will become shadow as he transfers the body to rhyme and then eventually he’ll just like kind of fade away as rhyme gets too far away to try and join the others.

[02:25:58] Perfect.

[02:25:59] Perfect.

[02:26:00] So you managed to meet up with the others.

[02:26:02] I’ll say at about the time that we’re already to go down into the cabin.

[02:26:08] So.

[02:26:10] All together now.

[02:26:12] Having kind of slipped away.

[02:26:14] Order wise for going into the cabinets.

[02:26:16] They’re all first.

[02:26:17] I still think me first.

[02:26:18] Where would you guys like to go?

[02:26:19] A second.

[02:26:21] Why not?

[02:26:22] I think I should be.

[02:26:23] Which one.

[02:26:26] Wait, do you see?

[02:26:27] Wait, do you see?

[02:26:28] First.

[02:26:29] I’ll.

[02:26:30] I think I can see better than.

[02:26:33] Yeah, but I’m glad.

[02:26:35] I don’t know.

[02:26:36] I’ll offer up the rear.

[02:26:38] Yeah, actually, maybe granite behind me because he can also say so Harold and I both blind with each other.

[02:26:46] I can also shoot just the things.

[02:26:48]

[02:26:57] I don’t know how you’re doing it, but you think it’s very strong when you’re touching me just that maybe it’s just that I’m very soft.

[02:27:06] I genuinely don’t have any sources of light, by the way.

[02:27:12] That’s so yes, those of you, those of you without vision are very much walking blind.

[02:27:18] Like I’m being.

[02:27:21] I do have a little lantern.

[02:27:24] Yeah, that’s sort of very, very small amount of dim light enough that they can basically see the lantern.

[02:27:28] It’s like 15 things.

[02:27:30] Do you have the rooms showing?

[02:27:32] Uh, no.

[02:27:41] So entering the cabin bottom time and you grab it sort of keeping an eye out is the other’s violin.

[02:27:49] As you take your first steps.

[02:27:52] So sorry, can you reiterate how we’re entering this place?

[02:27:56] We like dug a hole in the flower bed or something?

[02:27:59] Yeah, we’ve dug a hole.

[02:28:01] So we’re going to.

[02:28:03] I think it’s fine to say let’s, let’s presume since we know that.

[02:28:09] Shelby has molded.

[02:28:11] Zune has more.

[02:28:11] If they have some objection to it, we can describe it later.

[02:28:15] But I think for now, it’s fine that you guys plan to kind of mold earth so that you can enter in and then close it off as well.

[02:28:21] Um, so as the others have entered.

[02:28:25] Uh, granite, do you feel a being into your brain?

[02:28:32] Uh, something behind you.

[02:28:34] Uh, frankly, can be.

[02:28:36] Yes.

[02:28:38] It was how.

[02:28:45] I stated which hand my crossbows in and proper you have stated because you.

[02:28:52] Probably right.

[02:28:53] I think it’s right handed.

[02:28:54] Yes.

[02:28:55] And you specifically offered your left hand to somebody else.

[02:29:00] Yeah, that’s right.

[02:29:02] Yeah.

[02:29:02] Um, I think.

[02:29:09] I want to.

[02:29:15] Look, I think my intention is to attack.

[02:29:18] I think that I want to spit around all my bow and only give myself a split second.

[02:29:23] See if I can recognize it.

[02:29:25] It’s better.

[02:29:26] Okay.

[02:29:27] Um,

[02:29:29] as you turn around in your split second, um, you see no target.

[02:29:36] But what you do feel is a… You’re as you so you’re drawing your bow, right? Yeah. As you have your bow, your left arm is wrapped up in a tube. Yeah. Okay. All right. Uh, thumb.

2h 30m - 2h 60m

[02:30:05] Just go ahead and roll damage. Oh, damage. Uh, I was not ready for this. Do you sneak attack? Would you like to sneak attack? I think I would like to sneak attack. Um…

[02:30:27] I’m gonna figure it out, because I don’t think… Oh, I figured it out. I think I’m so funny. I’m actually pretty confident. I’m just trying to… No, I figured it out. I was sort of thinking, like, who could it be? What are some characters that we’ve met of which we’re in single digits in this location that could do this?

[02:30:44] And so I thought who has the means to wrap up someone’s arm and is fairly competent and might be here and that we didn’t know where they were.

[02:30:54] The last time we went to where they were meant to be. All the settings is other.

[02:31:16] You know, I’m guessing one, right? Yes. Yeah, great. We’ll find out if you win. That’s good. I just need to know if there are, you know, having a belief in some of those games.

[02:31:24] How many bandanas do you have? Please don’t add deeply. I hate them.

[02:31:31] Sorry. I watched season one of RunMount, one half, I don’t know what I was saying. It was much too.

[02:31:41] Yeah. On Netflix last night. And it is truly delightful. The greatest voice I think I’ve seen, like, a dubbed anime in a long time.

[02:31:53] And genuinely, really, really good. Yeah.

[02:32:03] And that line is not only perfect because it’s just generally funny, but it’s specifically about someone’s like, that’s not how you spell it.

[02:32:11] You spell it like this. And she’s like, no, you don’t. She spells it regularly. And he just goes, he’s going to have to be on the page.

[02:32:17] Excellent. It’s just amazing. It’s just an all-round great moment.

[02:32:24] Yeah. It’s fantastic. It’s so cute.

[02:32:30] I’ve seen a couple of clips from the new Nekidun movie with Liam Eson. Everyone has been asked.

[02:32:37] 60 minutes, because I’ve seen one watch this movie. But oh my god, they’re so funny. We should have seen this together.

[02:32:43] It’s out. We should go to the sims.

[02:32:46] Yeah. Give me a half to Thursday to be paid.

[02:32:49] What are you doing during the day tomorrow?

[02:32:54] We might have a study thing. Yeah.

[02:32:57] Depending on that.

[02:32:59] Yeah.

[02:33:27] 50.

[02:33:27] 50.

[02:33:27] He was just shocked.

[02:33:30] And who sure was standing just exactly in front of you as the bow fired.

[02:33:36] And it was kind of struck. And again, appears as the invisibility drops.

[02:33:40] And kind of like just kind of stays himself.

[02:33:44] And then you know, whips and the.

[02:33:48] Both do that.

[02:33:51] He flicks the whip and it uncoils from your wrist.

[02:33:57] And he looks around and he kind of pulled like kind of.

[02:34:03] Yeah. Fairly injured kind of leads in and pulls you in a little bit.

[02:34:06] That’s it.

[02:34:06] And he says to you in common.

[02:34:15] And you’re.

[02:34:19] And sure.

[02:34:22] The people who work.

[02:34:29] Take this and he pushes his whip into your hands.

[02:34:34] Well, that is in me.

[02:34:38] He keeps that deep.

[02:34:43] I can call him gave it to the shopkeeper before he even given the best.

[02:34:51] I completed the objective before he’s given us the question.

[02:34:55] So we’re going to get to hand it in immediately.

[02:34:56] Let me.

[02:35:02] There are a great deal of monsters down this place.

[02:35:09] It is called the well forest in our town.

[02:35:18] We were told it was a myth.

[02:35:20] We are forbade from tunneling ground.

[02:35:25] You know, all their walls, that was very much.

[02:35:32] I have done my part.

[02:35:36] To find it.

[02:35:45] The well of your army to be so awful to you when you DM.

[02:35:51] Are you going to get all white pent up rage out?

[02:35:54] And it would be Dan and I so that’s the real thing.

[02:35:56] Soon a thousand sons.

[02:36:03] We’ll be nice when you DM.

[02:36:05] Yeah.

[02:36:10] Yeah, I don’t know what’s more threatening.

[02:36:15] And yes, he says I have done my part.

[02:36:22] We may not.

[02:36:24] We may not manage to kill the rising.

[02:36:29] But we will free our people from his lies.

[02:36:34] Did you guys see that?

[02:36:35] Is there a reason we’re not helping kill rising?

[02:36:41] I know you mentioned the Elias thing, but I really feel like we should be helping them.

[02:36:47] We’re focusing on the Titans being first at least.

[02:36:51] I don’t usually do this tonight.

[02:36:55] I don’t think this is a we go in.

[02:36:57] We grab the peace we leave situation.

[02:36:59] I think this is a we go in.

[02:37:00] We fight an ungodly number of monsters.

[02:37:03] And we get the Titans been peace in a couple of days.

[02:37:05] I think we’re we need to help with rising now.

[02:37:10] That’s interesting, but isn’t this a bunch of monsters?

[02:37:12] Because I was thinking it was originally like one big one.

[02:37:15] But if it’s a bunch of monsters, then suddenly it’s going to come a little more.

[02:37:18] If rising doesn’t die though, I think we’ll have more difficult time getting in.

[02:37:25] To be fair, rising doesn’t die.

[02:37:26] And we’ve helped to try and kill them.

[02:37:28] I think we have other problems.

[02:37:29] Well, that’s why we couldn’t be here.

[02:37:31] Yeah, but if rising doesn’t die with us there, why would they think they could take him now?

[02:37:38] Like I feel like we have enough power to make a big enough difference.

[02:37:43] To make this a short victory.

[02:37:46] Well, it’s an interesting point that like we, if we help.

[02:37:53] God, I can’t get cicada out of my head now.

[02:37:56] Sicilian.

[02:37:57] And.

[02:37:59] Circulian.

[02:38:00] If we can.

[02:38:01] Oh, God.

[02:38:02] That’s actually how I wrote it in my note.

[02:38:04] I don’t know what to say.

[02:38:08] Shut up.

[02:38:10] This round is going to come.

[02:38:12] It may be going around now, but it’ll come around.

[02:38:17] If.

[02:38:20] Sicilian and to cheek.

[02:38:23] I’ve worked hard to.

[02:38:24] I’m going to take him on now.

[02:38:27] We might be able to get rising while they’re there.

[02:38:29] If they fail and then we come back, will the more.

[02:38:33] The enough.

[02:38:35] To make up for the loss of two other allies, at least.

[02:38:39] None of us use them all.

[02:38:43] Also none of us.

[02:38:44] Well, you.

[02:38:45] No, you’re out now.

[02:38:46] None of us use them all.

[02:38:48] I probably could figure it out, but.

[02:38:51] Car also has the best hill east on.

[02:38:54] Yes.

[02:38:55] The car.

[02:38:56] Which we’d need as soon as to use.

[02:39:00] Yeah.

[02:39:02] It’s more of a.

[02:39:05] Because if this was a one and done, I’d agree that we should be this past.

[02:39:09] What’s worse, I’m not getting the ball or.

[02:39:13] Rise and not dying.

[02:39:15] If we don’t get the mall, we can still come back and get the mall later.

[02:39:20] Rise and know the mall is here.

[02:39:26] We’re involved in trying to kill him.

[02:39:28] There’s no way we’re getting back into the grove.

[02:39:33] I do think.

[02:39:34] Do you.

[02:39:35] What do you.

[02:39:35]

[02:39:35]

[02:39:35]

[02:39:35] I think happens if we fail to kill Ryzen. Do you think we’re still alive after it? We have a few means of escaping, but I also would probably stick around to see it through. I also mean peace is not going to be an option. If we attack them, there’s no way he’ll be able to do the peace. Rise and has to die. And now’s our best chance to do it.

[02:40:05] Because we have help. And if to seek and Sicilian fail, that help is gone for it. Here’s my counterpoint. We’re already in the well of Horace. The thing is, we’re in the entrance where we believe is it’s Labyrinthian. We’ve also been told to keep Shilah safe. If all of us fail, we’ll be in Shilah right here. So we’re taking them into the well of Horace in clear. I don’t know if anybody could.

[02:40:35] If if we fight Ryzen, if that’s what we decided to do next, and it does go wrong for us, I will do everything I can to stay and deal with him, because he’s synonymous in the eyes of my car. Should that happen? I will hand off my lantern. Any of you coming through.

[02:41:04] You worry the reverse of if we attack Ryzen right now, we’re locked up. So it was off from the hammer, but what’s your what is that your main concern?

[02:41:16] You’ve a strong attachment to this. I just want to understand.

[02:41:27] Because my autism has already started on this planet, I don’t want to change it.

[02:41:33] I’m talking about me, just if you match that’s you.

[02:41:37] And sorry, I would have I would have been more vocal. I didn’t realize this was a play in that we’d committed to. I thought we hadn’t discussed with you. I’m helping to kill Ryzen yet.

[02:41:47] Well, yeah, it was a whole day, but it’s nice. We’re going to do during these festivities. That’s right.

[02:41:57] Then I feel like we don’t have much time, and it might be our best opportunity to do it.

[02:42:02] Also, so any dissenting population that wants to support is going to do it when they have the whole movement of their own people with them.

[02:42:11] If all the dissenters die tonight, it’s us versus everyone that’s on Ryzen side.

[02:42:16] What time is it at the moment?

[02:42:18] I would say Eve probably like 90.

[02:42:25] Maybe.

[02:42:27] And not 10.

[02:42:30] It’s quite something.

[02:42:35] Yes.

[02:42:44] They do say that they will strike tonight specifically.

[02:42:53] There’s a striped ill strike, whilst the moon is whilst the moon shines.

[02:42:58] And the moon is presumably up to this matter at any point. So it’s about nine.

[02:43:04] Also, we just did 50 points of damage to one of the people that’s going to be trying to kill Ryzen.

[02:43:08] So they’re already offered a disadvantage.

[02:43:13] So we just did 50 points of damage.

[02:43:20] Use the lens again to see now that we’re in here that Titan’s been as close.

[02:43:26] Yeah.

[02:43:27] Because if it’s close, we could just go get no matter what’s in the way that it’s violent.

[02:43:31] Lens saying Titan’s been with me down the town.

[02:43:35] You don’t immediately see it.

[02:43:38] So it could be pretty deep.

[02:43:40] Or the lens could be folding.

[02:43:46] It’s kind of the only information we have to work off that.

[02:43:50] We just had it much.

[02:43:53] I don’t like it got to.

[02:43:54] It was more reference to the 5.5 static nothing.

[02:43:56] We want to be in the cabinet space beneath the throne.

[02:44:03] They’re pretty close.

[02:44:05] There you are.

[02:44:05] The throne rooms are pretty big building.

[02:44:09] Yeah, it’s like it’s a rather live clearing.

[02:44:11] And also the tunnels you can see don’t go in a straight line.

[02:44:14] They kind of borrow now in the coils.

[02:44:17] Right.

[02:44:18] This could take a while.

[02:44:19] It’s on this before though.

[02:44:20] We did do this before.

[02:44:22] We’re very successfully, but not very quickly.

[02:44:25] And we took us like a minute.

[02:44:27] But that minute took three days.

[02:44:31] Wait, we’re going to be talking about the loved ones.

[02:44:35] Oh.

[02:44:38] I’m missing my life.

[02:44:42] And in partner, I come in many jokes.

[02:44:46] Are you talking your thrall?

[02:44:48] Yeah.

[02:44:49] Okay.

[02:44:49] I just had like this with the tilde.

[02:44:52] Yes.

[02:44:58] I was going to say that again.

[02:45:00]

[02:45:06] Feel it when we have a chance.

[02:45:10] Well, maybe if we’re not sure, there’s too many訂閱.

[02:45:19] Where’s we know that at any point soon.

[02:45:23] Hey, Sicilia, how long until you attack guys?

[02:45:27] I didn’t. I say quietly. I did under. Do you have a bow back? I’ve been told to be ready.

[02:45:35] Do you would we be a hindrance if we were present? No, but your safety is paramount. Why?

[02:45:49] Shall I say? Well, largely for sure. Do you have a chance of killing Ryzen?

[02:46:06] It depends on how many times you get filled with errors before it happens.

[02:46:11] I’m bad. Sorry, it depends. It depends on how people and they really miss to see the truth.

[02:46:30] Would having outsiders present help in that regard? Or would we be seen as I put an outside

[02:46:43] influence be counterintuitive to the message? I think that.

[02:46:58] I think that having more outsiders, it’s hard to say. Some may view it as a show of power,

[02:47:09] others show solidarity. The real question is all we want from our people is

[02:47:23] for them to stand aside and let it happen. We do not wish all of our people to be murderers.

[02:47:31] We could possibly convince them that it’s for them if we specify what one of these two

[02:47:40] preferences are killed. I don’t think she’s in a position. I don’t think she’s in a position to

[02:48:01] want to shoot Adrian. I just wanted to ask Gillian if Shalai would miss him if this doesn’t go well.

[02:48:16] Yes, I think that she would miss me very great thing. Then I want to be there to support

[02:48:24] you. If our goal is to keep her alive, she’d say that our goal is to keep your alive.

[02:48:31] I have been by her side, more so than with my own companion.

[02:48:40] I have watched her cease to work. I think that she and I are. I think that I am helpful to her.

[02:48:56] I don’t mean to presume, but let’s go to kill a kid.

[02:49:03] How do you have a healing? Oh, no.

[02:49:13] Healing ability. Healing tea. Healing ability.

[02:49:18] I hear makers sleepy. I’m gonna say probably not. Yeah.

[02:49:28] Something that can prepare for an adventure.

[02:49:34] We also slept two days since the games. Huh? It’s been two days since the games. If that’s right, I’ll let it all. Oh, not even. This is the evening. No, evening of the second day. No, we left this morning and the game’s finished yesterday. No, it was. Yeah. I got another travel. I’m gonna shut up.

[02:50:00] How has this great invention of calling it? Wow. It doesn’t look sharp. Wow. One thing is of the utmost importance if you were to stay. The war forged girl must be unharmed.

[02:50:30] Is she still alive as inside? Yes. Emotionally as well as physically. Just physical. Wonder. I think we can do that. We just keep an eye on him doing something speaking. Like putting her in the way. Would the war forged girl have any intent towards Carla? No. No. In fact, we suspect that she’s not going to be able to do that.

[02:51:00] We suspect that her. Her state of being has been caused by rising. And that without rising, she may return to full control. Oh, goddess. You truly give us signs.

[02:51:24] Let’s kill a king. Let’s kill a king. Let’s kill a king. Any kids. Let’s collect guy that’s aspirating as a king. I’ll give you that one.

[02:51:35] It got the first one. I need a king. Killing Fuzzle was killing a guy. I’m asking for a king. That’s true.

[02:51:47] I’m into this more of like a social commentary than a literal masquerade. Wait. Wait for the first strike. Wait to see. We must win the lines and hearts of the people first.

[02:52:03] Before anything else. I had to film how much of that is for you. But also, I think this is a thing. Oh, no, I could work with that.

[02:52:14] Great. Where do you need us? Shall we find places?

[02:52:21] We, we shall return to the ritual. I expect that this will occur before the containment spell is over.

[02:52:32] Can we contain it well?

[02:52:35] It is something that we cast regularly to ensure the monsters do not rise from the well.

[02:52:45] That’s going to come in real handy in a minute.

[02:52:48] Yeah.

[02:52:49] Can someone go in after that’s been cast?

[02:52:53] Yes. Well, we.

[02:52:56] That is what we have been told. That is what our traditions say. I understand, but it is to shake’s intention.

[02:53:04] If I understand correctly, to interrupt its casting.

[02:53:08] Oh, interesting.

[02:53:10] You can bring the horrors up.

[02:53:11] So you use the beasts in this wall.

[02:53:15] If it is true that that is what the spell does.

[02:53:17] We might have to do a little bit of.

[02:53:24] We champion work as we.

[02:53:28] Get people out of the way of some monsters.

[02:53:31] Yes, absolutely.

[02:53:32] I think that will be saying.

[02:53:35] What’s the word about that?

[02:53:36] Interference.

[02:53:36] Yes.

[02:53:37] I need a champion.

[02:53:43] Remember that you.

[02:53:46] For so long as you remain here, our children of the leaf.

[02:53:50] They will protect you.

[02:53:54] I kind of hope they don’t do that.

[02:53:57] Yes, absolutely.

[02:53:58] We’re all Reese here.

[02:54:00] A little bit.

[02:54:02] Do we all have greater than 100 hit points just as a quick check at a maximum?

[02:54:10] I could also have this thought.

[02:54:12] How do you mention it?

[02:54:15] Kind of.

[02:54:16] Of course, liver of time.

[02:54:20] Yes.

[02:54:22] Maximum.

[02:54:23]

[02:54:24] Yes.

[02:54:26] Why?

[02:54:28] Don’t worry about it.

[02:54:31] Yeah.

[02:54:34] Yes.

[02:54:35] One of you has had an experience with this before.

[02:54:39] All right.

[02:54:41] Well, I’ll take the high crowns in the tree.

[02:54:48] You should do it.

[02:54:50] Yes.

[02:54:51] Proper ambush.

[02:54:53] I can also walk us out if we can.

[02:54:56] Are we is this surrounding the one five?

[02:54:58] Yes.

[02:54:59] I have a relic.

[02:55:00] I think it’s important to not look suspicious.

[02:55:04] I just rejoined the referee.

[02:55:07] Yes, I do.

[02:55:08] We’ll rejoin the referee.

[02:55:10] Always look suspicious.

[02:55:12] I know.

[02:55:15] The way you’re looking.

[02:55:18] He’s crazy.

[02:55:23] Aznamother.

[02:55:23] I also,

[02:55:24] I do this in the public To see it.

[02:55:27] He’s so smart.

[02:55:29] Let me give him some.

[02:55:33] You need me to see something real quick.

[02:55:35] Yes.

[02:55:35] You just have to give me a second.

[02:55:38] No, okay, no, the eyes are completely separate. I was like, I’m stuck.

[02:55:43] Like this duck.

[02:55:47] Okay.

[02:55:48] And Mickey Mouse, does Mickey Mouse’s eyes touch on someone?

[02:55:51] No.

[02:55:52] I couldn’t tell you.

[02:55:54] All right. Well, I’ll at least go into the tree.

[02:55:57] I will be in the party.

[02:55:59] I shall flank from another tree.

[02:56:02] Okay. Perfect.

[02:56:03] And returning to the party as well.

[02:56:06] Let’s get.

[02:56:09] You want to be stealthy and oh, you’re in a tree.

[02:56:13] Oh, yes, getting to the tree.

[02:56:16] My brain was like, I for some reason, I was like, you’re returning to the revelry.

[02:56:20] You’re like, I want to be still.

[02:56:21] I was like, yes, no.

[02:56:25] Yeah, absolutely.

[02:56:28] Well, self, Adrian, if you’d like to honor your region in revelry, was somebody else saying something as well?

[02:56:32] I’m, I’m the being seen.

[02:56:35] I’m going to float up. It’s right.

[02:56:36] Yeah, perfect.

[02:56:37] I like how you do.

[02:56:39] I did 29.

[02:56:42] 29.

[02:56:42] Okay, fantastic.

[02:56:44] Yeah, I’m going to say with confidence that you feel pretty well.

[02:56:48] Thank you.

[02:56:49] Thank you.

[02:56:51] Anyone else in the group?

[02:56:54] Ryzen continues.

[02:56:55] Ryzen remains seated kind of watching over the party as it happens.

[02:57:01] He remains seated there with his voice and translator at one side.

[02:57:08] And the warwatched girl at the end.

[02:57:13] Actually, before the party.

[02:57:15] Yes.

[02:57:17] I forgot to mention this bit.

[02:57:18] It might be an idea of future angle to get the warwatch guy into the land and with.

[02:57:23] All out of shots for that.

[02:57:26] Wait, am I allowed to?

[02:57:27] Hey, let me consult my brain.

[02:57:31] It’s actually the head.

[02:57:34] If not, I’m happy to focus my plans on protecting her specifically.

[02:57:41] Yes, I don’t know why, but I feel like she’s very important.

[02:57:49] This is still can.

[02:57:51] If this is written correctly, the dnd is fucking insane.

[02:57:56] If it’s written incorrectly.

[02:58:00] I’m fucking insane.

[02:58:03] All right, it’s me.

[02:58:04] Oh, right.

[02:58:07] Yeah, but.

[02:58:09] Do you want to get what effects my efficiency affects something in this?

[02:58:16] And it’s either.

[02:58:18] I don’t think about it.

[02:58:21] It’s capitalist.

[02:58:23] I can’t say that.

[02:58:25] What that Lucy did.

[02:58:29] Thank you to Kevin for Lucy.

[02:58:36] Oh, is that all?

[02:58:38] Yeah.

[02:58:38] I thought it was like, I don’t know.

[02:58:40] It’s more in.

[02:58:40] Yeah, it does look like a piece of food that a bird was packed.

[02:58:45] Yeah.

[02:58:45] Yeah.

[02:58:49] That’s what they could be that school.

[02:58:52] It’s a fruit that a bird’s face.

[02:58:54] I’m sorry.

[02:58:55] No, I cannot put the link to that.

[02:58:57] I’d like to talk to you about changing shit.

[02:59:00] Okay, sounds good.

[02:59:01] What I have written is correct.

[02:59:02] Wow, insane.

[02:59:03] I don’t know what it is, but I believe you by your time that it’s mental.

[02:59:07] I’ll quickly say that it’s one of those things that it’s a giant paragraph

[02:59:11] because they decided to add rules for just no.

[02:59:14] You can only enter only the ones per long rest, which I was pretty competent.

[02:59:19] And you’re ready.

[02:59:19] Sure.

[02:59:20] And then I saw something was affected by my proficiency in my notes.

[02:59:23] Anyway, what is proficiency times two?

[02:59:27] I can be in the lantern for an amount of hours.

[02:59:31] I was equal to my proficiency times two, so ten hours currently. Okay. A day. Ever, I suppose. In your lifetime, ten hours within your lantern. Especially because I can have a long rest in my lantern. Oh, yeah. Because it’s ten hours. So I can refresh the entrance. Do I need to quickly puff out the name again? Do I need to take a breath like a web? What else?

3h 00m - 3h 30m

[03:00:01] Yeah, pretty, pretty mental. I mean, in the lyrus, it should be treated like a whale. Just like it appears on it. There’s, you’re always, sorry, this is such a, like, you’re all traveling. And in the woods, there’s a lantern stuck into the ground. And for a moment, you just see a fish’s head going, I don’t know what to do. I don’t know what to do. I don’t know that.

[03:00:28] The folklor is built around the ending. How much folklor do you think, as a percentage, we could attribute to the role that this event is going to be overworked? Oh, hell, yeah.

[03:00:44] So we can’t put them in the end. Can’t put them in the end. Okay. We’ll just predict that. And unless you want me to math for eight hours.

[03:00:53] We’ll wake you up when the rivalry starts.

[03:01:04] I’m going to target rising as soon as this starts. I know that we should also take out the votes. I’m going to target rising as soon as the stats.

[03:01:12] Yep. I wish to also do the same. I do intend on being a little good twitchy or trigger happy because I do want to get that.

[03:01:22] I do want to try and end it before the starts. Yeah.

[03:01:25] Yeah.

[03:01:27] Okay.

[03:01:32] We returned to the party.

[03:01:33] We returned to the dancing. And in fact, even those of you who perhaps weren’t noticed disappearing, you are very, you are greeted with a great amount of

[03:01:47] recovery as you kind of returned to the party enthusiasm, a great amount of enthusiasm.

[03:01:56] You can feel the spell kind of building up sort of beginning to sort of preparing for its sort of climactic finish.

[03:02:08] You can feel that it is still, it is still a current, you still have.

[03:02:11] Yeah.

[03:02:17] I’m sorry.

[03:02:20] What’s your goal? Are you trying to get as close as possible to?

[03:02:24] I realize that I think I am because I’ve already got three good shots in that bow.

[03:02:29] Sure.

[03:02:33] I guess I need to miss this.

[03:02:35] Yeah. I guess then the question is, is it important for you to be near the others? Or would you also be just as willing to, for example, sneak around the back?

[03:02:47] You’re fine with that?

[03:02:50] I’m still going to use your 29 for that.

[03:03:00] Yeah, I’m fine with that.

[03:03:01] Yeah, okay.

[03:03:05] About the 25.

[03:03:07] A good amount of time passes and there is a great tenseness over all of you.

[03:03:15] In fact, as you returned to the party, you can see that Toshik is there that has joined the revelry.

[03:03:24] In fact, when you all kind of returned to the party, you see that he is addressing Ryzen.

[03:03:30] And he’s kind of bowing before Ryzen and speaking with him, speaking with the voice.

[03:03:40] They’re speaking in hushed tones and you can’t necessarily hear what they say.

[03:03:44] That’s also an opportunity if anyone would like to do anything there or just leave them.

[03:03:49] That’s nothing to do, I think.

[03:03:53] From the back. No, it’s probably not.

[03:03:56] It’s they’re very, they’re not too far away and it’s very hushed tones.

[03:04:02] I want to see if Ryzen.

[03:04:04] Frankly, I want to see if he goes to make a physical move like attack.

[03:04:07] Yeah.

[03:04:07] If he were to do that.

[03:04:10] Are you specific because that’s a holding action or what?

[03:04:12] Yeah, I’m going to assume that we’re pretty ready to jump in.

[03:04:16] Yeah, but I’m going to wait until the revelry is said.

[03:04:20] Yeah.

[03:04:22] Kind of the same, but I want to be preferably within 30 feet of the Wolfward school, if I can be.

[03:04:30] With the 30 feet.

[03:04:34] Visualize 30 feet.

[03:04:36] Sorry, 45 feet will do.

[03:04:37] Yeah.

[03:04:38] 45.

[03:04:40] Okay, great.

[03:04:41] Yeah, you can be kind of there.

[03:04:43] You’ll sort of be hanging on your own a little bit, but that’s fine.

[03:04:46] You can do that.

[03:04:47] Also, the shadow of Ronan can be 60 feet away from her and part of the party.

[03:04:52] It’s just I want to run specifically to be that close to her.

[03:04:55] So Rin’s going to be controlling the body at the moment.

[03:04:58] Yeah.

[03:04:59] I think that’s all completely fine.

[03:05:04] After a little while.

[03:05:06] With everyone’s kind of nerves being laid down like a piece of twine.

[03:05:16] Just a snap on the way.

[03:05:18] One more question.

[03:05:19] Was there time for a short rest between any of these events?

[03:05:24] Oh, a short rest.

[03:05:27] I will say that yes, if I’m going to say that we have an up period that are.

[03:05:33] Everyone’s kind of stress is going to get up.

[03:05:35] Then yeah, we can take a short rest.

[03:05:37] See, I feel like I’d be two on an edge.

[03:05:40] To be able to rest during that period.

[03:05:43] You want to be prepared the whole time.

[03:05:44] Yeah, I think it’s coffee a lot of time, but what coffee a lot of time.

[03:05:49] Exactly why I said it.

[03:05:51] I want to double my spell slots.

[03:05:55] Warlocks also.

[03:05:57] It’s just.

[03:05:58] You need to be at the park.

[03:06:04] Like you caught my made my own.

[03:06:10] We don’t know about your sleeves card after all.

[03:06:15] Makes management waste furniture.

[03:06:19] So after this period.

[03:06:22] It.

[03:06:28] To chic stands.

[03:06:30] Turns away and walks towards the fire.

[03:06:35] Kind of makes us if he’s about to dance.

[03:06:38] But instead he raises his arms and calls to everybody.

[03:06:43] And he says he speaks in.

[03:06:50] He speaks in wreath, which you can understand.

[03:06:53] And you can translate to throw in kind of real time if you would like.

[03:06:59] But the others are not physically.

[03:07:01] Also, we would have taught the wreath word for revelry to.

[03:07:06] The others.

[03:07:09] So you all know the wreath word for revelry to also know that when they’re going to attack.

[03:07:16] It is now when they’re going to attack.

[03:07:19] We know that we’re letting them do the first thing with us.

[03:07:22] Yeah.

[03:07:24] I’m taking daily.

[03:07:26] Yeah.

[03:07:29] To chic raises his arms.

[03:07:32] And he says.

[03:07:34] Brothers and sisters.

[03:07:36] Children of wreath.

[03:07:40] I am sorry.

[03:07:43] That’s on this night.

[03:07:45] I must interrupt your revelry.

[03:07:51] And you watch as the dancing all stops.

[03:07:58] The licking flames freeze in the air.

[03:08:05] And you’ll find yourselves.

[03:08:08] I’m able to move.

[03:08:10] As time around you.

[03:08:17] And suddenly.

[03:08:21] In this cold night.

[03:08:23] Here is you are frozen in time.

[03:08:27] You feel tremendous heat begin to bear down upon all of you.

[03:08:37] And you watch.

[03:08:40] As strolling out from behind Ryzen’s throne.

[03:08:48] Helios stands.

[03:08:50] Oh.

[03:08:52] With some blood drawn.

[03:08:56] As time is frozen.

[03:09:00] Helios is not wearing his arm.

[03:09:05] He is here in underclubs.

[03:09:10] They are very fine.

[03:09:12] They are royal.

[03:09:14] But they are not protected.

[03:09:19] You recognize the shadow that you hold to chic speaking with.

[03:09:25] As this.

[03:09:26] Oh.

[03:09:27] As this strong and slender.

[03:09:31] I never thought of him as slender before. The description that I got was, but. He’s been working out whatever he was before. He’s thinner now.

[03:09:57] Literally tall, strong, and slender. But still slender. As he. You’ve also met the person in charge of controlling the reeth border.

[03:10:25] I know this to be true, but I can’t remember them. Who was Sicilian?

[03:10:32] It’s so funny, I don’t remember. Who, when he came to all of you, said, I’ve done my part. Some little bitch.

[03:10:39] Done fucking shit.

[03:10:44] Helios. Thank God we’re here.

[03:10:50] We could be on the ground right now. He can feel unhappy affordably.

[03:10:58] Helios steps around in front of Ryzen.

[03:11:03] Is Ryzen time stopped too?

[03:11:06] Yes. Ryzen is time.

[03:11:09] Time.

[03:11:12] Helios says to the brave and noble people of wreath.

[03:11:20] I come to you with sword in hand to solve your problems.

[03:11:29] It’s just that to solve your problems.

[03:11:37] It’s like that Rick and Morty observed. What do you mean you dropped it straight down?

[03:11:42] String.

[03:11:50] Don’t think of flams.

[03:11:54] Helios.

[03:11:58] Kind of walks and weaves through some of the nearest people.

[03:12:04] And he says, you’ve all been lied to.

[03:12:08] You have all traded your body because you do not know.

[03:12:15] Ryzen gives you no power.

[03:12:20] Ryzen has made you no stronger.

[03:12:25] You have your power because you are wreath.

[03:12:33] What Ryzen takes from you, he gives to himself.

[03:12:38] He gives and he swings his sword to her.

[03:12:44] And he wants to wash it down.

[03:12:47] You see that?

[03:12:52] Any other words, yes.

[03:12:55] Ryzen has called a fierce being.

[03:13:01] He has called the deity.

[03:13:04] He has called forth.

[03:13:13] Let me check something.

[03:13:15] Sorry.

[03:13:25] The best song for this is currently played.

[03:13:27] I don’t know if anyone has left his home.

[03:13:28] Is it?

[03:13:32] Starlove with the ball.

[03:13:35] Yeah, exactly.

[03:13:38] Good.

[03:13:42] Ryzen has called forth the godfain.

[03:13:49] They come to Milton, a being of wrath and justice.

[03:13:57] The deity of two parts.

[03:14:00] The body and he points at her.

[03:14:04] And the soul and he points out towards the dragon’s regent.

[03:14:11] Once their parts are united, the deity shall reign down on Milton.

[03:14:20] They shall crack the earth and have Milton sink into the ocean.

[03:14:30] Ryzen does this out of wrath himself, out of mistrust.

[03:14:37] Out of vengeance of the kingdoms.

[03:14:42] But I am here to offer you all another way.

[03:14:49] If we unite Milton, you can live amongst people.

[03:14:56] You have been lied to that they hate you, that you are not safe.

[03:15:12] Days upon me and he rises into the air and he takes his sword to Ryzen’s throat.

[03:15:20] And he says, I could cut Ryzen down now before he has a chance to blink.

[03:15:28] But that is not what I am here to do.

[03:15:33] I am here for all of you, for your minds, for your hearts.

[03:15:42] I want you to live among us.

[03:15:52] Once, many, many years ago, in a time that Ryzen will never speak of,

[03:16:03] Milton’s population was one in mighty dragon who bared Milton as a name.

[03:16:14] When that dragon died, he became the five kingdoms.

[03:16:22] We are not separate from one another.

[03:16:26] We are parts of a being.

[03:16:29] Skull, the people of Skull, are the dragons’ claws.

[03:16:38] They use them to take hold and possess.

[03:16:43] The people of Gwintz are the dragons’ wings.

[03:16:50] That carry them on the lands and skies.

[03:16:54] The people of Terrap were the dragons’ breath, the source of its power and magic.

[03:17:01] The people of Thete, its teeth used to kill and eat.

[03:17:08] The people of Laskas, its scales, its life, its survivability, and the people of Reath, its heart.

[03:17:24] Even these and points to you, Dosa, once lived in the dragon’s shadow,

[03:17:33] and even I, Aura, was once the dragon’s role.

[03:17:39] Its room with tea, its nobility.

[03:17:44] Come with me and build a new Milton together.

[03:17:53] And as he says, the time stop ends.

[03:18:00] The dancing holds us.

[03:18:05] Actually, even slightly before, something that I forgot to mention, as he points at the Warforged Girl,

[03:18:13] though she moves very slightly, you could see, even during the time stop, she moved freely.

[03:18:19] While all else was frozen, she would turn her head to look upon it and look upon the crowd.

[03:18:28] But now, in this moment, time begins once more, and in an instant in the blink of an eye,

[03:18:41] Ryzen’s own flaming blade begins clashing against Heliosus, and that is where they’re going to end to my session.

[03:18:48] Fuck yeah, yeah, that makes sense.

[03:18:51] That was awesome, that’s fantastic, I hated it, I loved it.

[03:18:58] You guys realize that this whole campaign, the names of every kingdom have been the letters mixed around with all things.

[03:19:07] I did notice that, as you said it, yes.

[03:19:11] The wings were the wings, Tarab was the breath, Laskis was the scales, Reath was the heart, Dose was the shadow, and Aurora is the law.

[03:19:21] I man, I didn’t see it because you’d love to fuck with the names.

[03:19:24] Yeah, to fuck with the names.

[03:19:27] It’s been there this whole time.

[03:19:33] Wait, so when I drew a dragon face, it was actually a dragon face? No, no, it’s metaphorical. It’s not literally that this map is a dragon, but it’s the… Oh, it’s significantly out of line. Yes, absolutely. So good. Yeah, when you said Hiki,

[03:19:58] was tape that has been my secret of like I don’t know if you guys remember but a

[03:20:05] few weeks ago I told you that there has been a secret that when you guys find out

[03:20:09] you’re all gonna be so annoyed yeah not realizing it because it’s like I have

[03:20:15] had to be yeah yeah yeah it’s been nearly two years

[03:20:26] that was great really really good session I mean it’s awesome that that was so

[03:20:30] tense yeah yeah so much stuff yeah speaking of which do we want to pick

[03:20:35] someone who feels confident doing the last time on between you guys I

[03:20:39] definitely do I even managed to keep up with you with quote-level accuracy so

[03:20:44] I can repeat what you said near precisely well why don’t we lock that then if

[03:20:49] you’re happy to do it for next week

[03:20:52] holy crap I wrote two thousand five hundred words of notes

[03:21:00] I wasn’t sure if we should just cancel this session because two people

[03:21:04] won’t get to be here and I was like nah fuck it let’s go that’s why we that’s

[03:21:08] the whole reason of having sex is that we can still we can still fall with two

[03:21:11] people yeah my fingers actually warm from typing that much it was

[03:21:20] absolute completely valid debate that made sense for both sides god I’m glad we

[03:21:25] didn’t go in the camera yeah I come out and it’s just like Helios is dead on a

[03:21:29] chair

[03:21:32] mathematically this makes sense I didn’t have any other reasons

[03:21:39] backing it up yeah yeah I got that though story wise we started this story

[03:21:44] wise so it’ll wait to turn around I get that

[03:21:48] um yeah what would you have done by the way DeVitory I’m okay I know you’re

[03:21:53] never supposed to answer this as a DM but like if we caught in the cave

[03:21:58] how would you have felt about that all right would have felt fine uh you would

[03:22:03] have you would have been dead but you don’t necessarily you you would have

[03:22:07] heard about these of that yeah yeah it’s it’s hard to describe because of

[03:22:12] exactly where we are it’s not done yet but you would have you would have heard

[03:22:15] the result of this happening without you being there to intervene um

[03:22:20] because I’m very big on and something that I talk about a lot actually is uh

[03:22:25] like the world continuing when you got on present yeah so there was a lot of this

[03:22:29] especially in the early campaign of like when you go somewhere um

[03:22:35] like when you when you’re not in a place events still occur there um so

[03:22:40] especially if it’s somewhere it’s like you could go this way or this way

[03:22:42] and you kind of make a choice that I don’t actually care about this I just

[03:22:46] want to go here something still happens over there you know still a little

[03:22:49] about yeah still travels three per coast yeah 100% and you know I gave you guys in

[03:22:54] the very beginning the potential to find him at any point yeah and that’s okay

[03:22:58] because I have a good timeline of the places that I need him to go and where he needs

[03:23:02] to be um it’s like when I started this campaign I had no idea whether you guys were

[03:23:06] going to go I’m just going to stick with Helios that whole time and you know what I mean like

[03:23:10] like I have all the vision that he’s doing so it it helps to have come into this campaign

[03:23:16] with such ridiculous preparation yeah so saying like

[03:23:22] conceptive what I want to be happening at any given point in time um makes that stuff a lot easier

[03:23:30] it’s certainly better than us going to the campaign we coming out and Helios is like

[03:23:35] she’s finally at you don’t know idea how long I have to hold time stop for

[03:23:49] oh man that is the first thing that I would do with a hitter-ditter stuff from the

[03:23:54] do you do your movie is go jute jute and just jump in and see like just go real fast

[03:24:01] see what general fast two pills maybe you don’t maybe you just leave you just accelerate forever

[03:24:08] this is why he takes sending at level three in case he needs furtherfall he can ask a friend

[03:24:15] once a day add some rise you just hear help

[03:24:19] and that’s for me how how how how where it’s yeah oh what is this thing that you’ve been playing

[03:24:32] with this thing can I can I feel it does it just twist on it so it’s that oh it’s a little mechanism

[03:24:39] Oh, let’s see.

[03:24:41] It’s a two-dad.

[03:24:42] Nice.

[03:24:43] You play small.

[03:24:45] Oh, wow.

[03:24:46] That was printed as is.

[03:24:48] And did you just kind of, and then you could twist it?

[03:24:51] A little bit.

[03:24:52] Yeah.

[03:24:53] Well, that’s actually fucking insane.

[03:24:55] Right.

[03:24:56] Printed places while.

[03:24:58] Yeah.

[03:24:58] The concept of being able to build joins and stuff that you don’t have to put together later.

[03:25:03] Just fucking really crazy.

[03:25:05] Well, that’s a joint you can’t make another way.

[03:25:07] Yeah.

[03:25:08] Yeah.

[03:25:08] Yeah.

[03:25:08] No fee.

[03:25:09] Wow.

[03:25:10] That’s mental.

[03:25:10] Oh, sorry.

[03:25:11] Adrian’s got their hand down.

[03:25:14] Wow.

[03:25:15] That is pretty cool.

[03:25:20] That was really funny.

[03:25:22] I open the door right as that concurred love happens.

[03:25:24] And it’s like.

[03:25:25] It’s like when two characters in a show say like they’re coming back.

[03:25:30] Pretend you will.

[03:25:31] Yeah.

[03:25:34] Yeah.

[03:25:35] That is a trope that I really like when they’re like quick pretend I said something funny.

[03:25:43] Always makes me happy.

[03:25:45]

[03:25:46] Oh, man.

[03:25:48] So tomorrow.

[03:25:50] Day time.

[03:25:51] At time.

[03:25:52] Let’s figure out what else is happening tomorrow.

[03:25:55] Yes.

[03:25:56] Fair enough.

[03:25:57] I’m pretty flexible on pizza and pixels.

[03:26:01] No.

[03:26:02] Actually, I think I am going to go.

[03:26:04]

[03:26:05] I’m going to go.

[03:26:08] And also.

[03:26:10] Yes.

[03:26:11] Oh, fuck.

[03:26:12] Yeah.

[03:26:13] I knew you were talking about.

[03:26:15] I was figuring out just so many logistics.

[03:26:17] No, I forgot.

[03:26:18] No, I was just thinking drag this dog.

[03:26:22] Goodbye, everyone.

[03:26:23] I’ll see you next week.

[03:26:25] I’ll see you later.

[03:26:27] Take care of it out to yourself.

[03:26:28] Okay.

[03:26:29]

[03:26:29] I have.

[03:26:31] Thanks.

[03:26:31] Thank you.

[03:26:32] Thank you.

[03:27:21] Thank you.

[03:27:51] Thank you.

[03:28:21] Thank you.

[03:28:51] Thank you.

[03:29:21] Thank you.

[03:29:27] Thank you.

[03:29:55] Thank you.

3h 30m - 3h 60m

[03:30:26] You

[03:30:53] You

[03:31:26] You

[03:31:56] You

[03:32:26] You

[03:32:56] You

[03:33:26] You

[03:33:54] You

[03:34:26] You

[03:34:53] You

[03:35:24] You

[03:35:47] You

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